Who Framed Roger Rabbit

Who Framed Roger Rabbit is a 1988 film, produced by Touchstone and Hollywood Pictures, that combines animation and live action. The film takes place in a fictionalized Los Angeles in 1947, where animated characters (always referred to as "Toons") are real beings who live and work alongside humans in the real world, most of them as actors in animated cartoons. At $70 million, it was one of the most expensive films ever at the time of its release, but it proved a sound investment that eventually brought in over $150 million during its original theatrical release. The film is notable for offering a unique chance to see many cartoon characters from different studios interacting in a single film and for being one of the last appearances by voice artists Mel Blanc and Mae Questel from animation's Golden Era.

Plot
The movie opens, innocently and deceptively, as a Baby Herman short subject, which in the realm of this film is revealed to be a "live action" slapstick short in the midst of production (after the manner of The Great Muppet Caper). This introduces the film's title character, who plays the supporting comic foil to infant cartoon star (actually a grown man who appears to be a baby) Baby Herman. In the movie's milieu, cartoon characters are a cohabiting sapient species alongside human beings, though unlike them, are unbounded by the laws of physics when it's funny. Eventually, it is revealed that Marvin Acme, the owner of the Acme Company and of Toontown, has been murdered. All signs point to Roger Rabbit, a Toon star at Maroon Cartoons, who had recently been shown evidence that Acme and Roger's wife, Jessica Rabbit, a sexy Toon femme fatale (uncredited speaking voice by Kathleen Turner, singing voice by Russi Taylor), had been playing pattycake together (literally) — this is tantamount to infidelity in the eyes of a Toon.



The only person who can help clear Roger's name is Eddie Valiant (Bob Hoskins), a washed-up, alcoholic detective who hates Toons because his brother, Teddy, was murdered by one during a routine criminal investigation in Toontown years before when a piano was dropped on his head. Eddie is reluctantly forced into helping when Roger hides in his apartment, and soon finds himself shielding Roger from Judge Doom of the Toontown District Superior Court (Christopher Lloyd) and his "Toon Patrol" henchmen, a group of weasels: Smartass, Greasy, Psycho, Stupid, and Wheezy.

Meanwhile, Doom's giant Cloverleaf Corporation is plotting to buy out the interurban railway, the Pacific-Electric, nicknamed "the Red Trolleys," and replace it with freeways (based on the General Motors streetcar conspiracy and National City Lines, the effort to replace trolleys with buses across the country). With Acme dead and no will having been found, Toontown is in danger of being bulldozed in order to make way for the freeway.

Eddie and Roger must find the will of the late Marvin Acme, which purportedly gives ownership of Toontown to the Toons, as per Acme’s solemn oath. Judge Doom is also trying to find it in order to dispose of it, so he can destroy Toontown and build his freeway where the place once stood, making himself a profit out of the deal. If any Toons happen to get in his way, Judge Doom feels no qualms about subjecting them to the "dip": a mixture he’s concocted of acetone, benzene, and turpentine – the only sure way to kill a Toon.

Eddie goes to the studios of Maroon Cartoons, Roger's employer, to help clear his name. There he speaks to R. K. Maroon, who is shot during the confrontation. Thinking the shooter to be Jessica Rabbit, playing Roger for a patsy, Eddie chases the assassin all the way into Toontown, despite his trepidation; Eddie has not set foot there since Teddy’s demise. There he discovers that the assassin was actually Judge Doom, who manages to kidnap Jessica, and later Roger, so he can "dip" them.

In the film's climax, set in the Acme Warehouse, Judge Doom spews "dip" from a huge machine and tries to eradicate Roger and Jessica. He reveals his plans to then use his "dip" vehicle to erase Toontown. To combat Doom's weasel henchmen, the normally hard-nosed Eddie plays a clown (not completely out of character, as the audience has been shown a photo of him and his brother working for Ringling Brothers earlier in the film), causing them to die of laughter – evidently another way to kill a Toon (or at least, specifically, the weasels). During the final battle with Eddie, Judge Doom is revealed to be a Toon himself after a steam roller flattens him, and he reinflates by using an air tank, revealing his Toon features. To Eddie's horror, Doom then reveals himself to be not just any Toon, but the very one who murdered Teddy, then he fights Eddie by creating all sorts of tools – buzzsaws, anvils, and springs, which are lethal - from his hands and feet.

Just when it seems that Judge Doom will get the upper hand, Eddie uses a scissor-spring-loaded punch-glove mallet to knock open the drain valve on the "dip" machine. Judge Doom is drenched with "dip" and melts away, screaming "I'm melting!" in obvious reference to the climactic scene in The Wizard of Oz. Eddie frees Roger and Jessica, but the "dip" machine breaks through the wall, and enters Toontown. Fortunately, it is plowed into by a passenger train almost instantly and is rendered harmless.

The police soon arrive, and realize that Judge Doom was responsible for the murders of Maroon, Acme, and Teddy, though no one knows for sure who he was under his rubber-mask disguise. Marvin Acme's will is found (he wrote it in "disappearing re-appearing ink" and Roger used the "blank" paper to write Jessica a love letter), and Toontown is handed over to the control of the Toons, who all cheer and sing a chorus of "Smile, Darn Ya, Smile."

Background
The live-action sequences were directed by and mostly filmed at Elstree film studios in Hertfordshire, England. The animated sequences were directed by Richard Williams and produced at his London animation studio. The film stars Bob Hoskins, Wallace Shawn, Joanna Cassidy and the voice of Jim Varney. The screenplay was adapted by screenwriters Jeffrey Price and Peter S. Seaman from the 1981 novel Who Censored Roger Rabbit? by Gary K. Wolf, and the music was composed by perennial film composer Randy Newman and performed by the Chicago Symphony Orchestra. It was released by Buena Vista Distribution under its Touchstone Pictures division.

The lack of question mark in the title is allegedly due to a superstition that films with a question mark in the title do badly at the box office.

The plot of the film is derived from the infamous General Motors streetcar conspiracy, in which General Motors, Standard Oil and Firestone Tires allegedly formed the National City Lines holding company that bought out and deliberately destroyed the Los Angeles Red Car trolley system in the 1940s and 1950s. (Similarly, the Key System trolley cars in the San Francisco Bay Area suffered the same fate.) In the film, the real-life role of NCL is filled by the fictional "Cloverleaf Industries," owned solely by Judge Doom.

Much of the cinematography and several scenes of the film are a homage to Roman Polanski's Chinatown.

As many as 100 separate pieces of film were optically combined to incorporate the animated and live-action elements. The animated characters themselves were hand-drawn without computer animation; analogue optical effects were used for adding shadows and lighting to the Toons to give them a more "realistic," three-dimensional appearance.

A slightly earlier draft of the screenplay revealed Judge Doom was the one who shot Bambi's mother. This mention can be found in the script for "Who Shot Roger Rabbit?" In the graphic novel Roger Rabbit: The Resurrection of Doom, it is revealed that Doom's real name was Baron von Rotten, and that he played villains in old cartoons, until one day, he was knocked unconscious and woke up thinking he was a real villain.

The film's credits run for nearly ten minutes. At the time of its release, Roger Rabbit held the record for having the longest end credits sequence in cinema history.

Touchstone Pictures
Who Framed Roger Rabbit as Touchstone Pictures

The film was disliked by David H. DePatie, the famed animation director best known for his work at Warner Bros. Jones himself storyboarded the piano duel between Donald and Daffy Duck, but he felt that the version of the scene in the final film was horrible. Jones also felt that Richard Williams had become too subservient to John Lasseter.

Legacy
Who Framed Roger Rabbit is seen as a landmark film that sparked the most recent era in American animation. The field had become lackluster and worn-out during the 1970s and 1980s, to the point where even giants in the field such as The Walt Disney Company were considering giving up on major animated productions. This expensive film (production cost of $70 million - a staggering amount for the time) was a major risk for the company, but one that paid off handsomely. It inspired other studios to dive back into the field of animation; it also made animation acceptable with the movie-going public. After Roger Rabbit, interest in the history of animation exploded, and such legends in the field as Tex Avery, David H. DePatie, and Ralph Bakshi were seen in a new light and received credit and acclaim from audiences worldwide. The film featured the last major voice role for two legendary cartoon voice artists: Mel Blanc (voicing Daffy Duck, Tweety Bird, Foghorn Leghorn, Bugs Bunny, and also Sylvester in a one-line cameo) and Mae Questel (voicing Betty Boop, as none of the Fleischer characters appear in the film). Blanc (who would shortly pass away at the age of 81) did not do Yosemite Sam's voice in the movie, done instead by Frank Oz. (Blanc had admitted that in his later years he was no longer able to do the "yelling" voices such as Sam's, which were very rough on his vocal cords in old age. There was a scene recorded but cut which also utilised Oz for the same reason.) Blanc also does Porky Pig, who gets the last line of the film, dressed as a policeman. That last line, naturally, is "That's All, Folks!" The Disney character Tinker Bell then brings the film to a close with the wave of her pixie-dust splashing wand.

Despite being produced by Disney's Touchstone Pictures division (in association with Hollywood Pictures), Roger Rabbit also appeared in one film. This allowed the first-ever meetings between Bugs Bunny and Mickey Mouse. A contract was signed between Disney and Warner stating that their respective icons, Mickey Mouse and Bugs Bunny, would each receive exactly the same amount of screen time. This is why the script had Bugs, Mickey, and Eddie together in one scene falling from a skyscraper; in this scene, the mouse and the rabbit speak the same exact number of words of dialogue, as per the contract. However, a split-second shot of Ichabod is seen just before the scene changes to the red car stopping. Also the speakeasy scene features the first and only meeting of Daffy Duck and Donald Duck performing a unique dueling piano act. Finally the unique pairing is given a final send off at the end of the film when Porky Pig faces the audience and says the traditional Warner Brothers animation closing line, "That's All Folks!" just before Tinker Bell appears to tap the scene in the traditional Disney ending manner.

Eventually, several additional animated shorts featuring Roger Rabbit, Jessica Rabbit, and Baby Herman would be released. These shorts were presented in front of various Touchstone/Disney features in an attempt to revive short subject animation as a part of the movie-going experience. These shorts include Tummy Trouble shown in front of Honey, I Shrunk the Kids, Roller Coaster Rabbit shown in front of Dick Tracy and Mickey's Trailer shown in front of A Bug's Life. They were all released on video in 1999 on a tape called A Bug's Life, and in 2002 on a special edition DVD of Who Framed Roger Rabbit. Tummy Trouble was produced at the main Walt Disney Feature Animation studio in Glendale, California and the other two shorts Roller Coaster Rabbit & Trail Mix-Up were produced at the satellite studio located at Disneyland in Los Angeles.

In 1998, the Disney Imagineers began to develop a new land for the Disneyland theme park in Anaheim, California, completely based on the Toontown of Who Framed Roger Rabbit. Mickey's Toontown opened to rapturous applause in 1993 and spawned "Toontown" (without the Mickey's prefix) at Tokyo Disneyland in Japan.

The Californian and Japanese Toontowns: でこぼこフレンズ

feature a ride based on Roger Rabbit's adventures, called Roger Rabbit's Car Toon Spin.

Some parallels between Roger Rabbit and Robert Zemeckis's movie trilogy Back to the Future (BTTF) can be discovered. Christopher Lloyd appears in all four films, as Judge Doom and as Dr. Emmett Brown. Charles Fleischer, the voice of Roger Rabbit, appears as Terry the mechanic (soliciting donations for the clock tower in 2015 and returning Biff his car in 1955) in BTTF Part II. Also, Eddie Valient discovers a missing will in Acme's pocket by examining a newspaper photo under a magnifying glass, in the same way as Doc Brown discovers the missing sports almanac in Biff's pocket in BTTF Part II. The car chase in which the weasels chase Eddie and Roger in Benny the Cab has similar elements to Biff and his friends chasing Marty on a skateboard around the Hill Valley town square in the original BTTF; in both cases, the chasers say the line "I'm gonna ram him" just before they crash into a truck. The two movies were both scored by Randy Newman, and some of the music sounds very similar. The tunnel into Toontown resembles the River Road tunnel. Also, part of the mechanism designed for Benny The Cab was used in BTTF Part III when Marty is dragged by a horse.

Controversies, Easter eggs and deleted sections
Several Easter eggs were hidden in the film by its animators. Tape-based analog video such as VHS did not reveal these, but better image-quality-delivering-technologies such as the laserdisc were said to reveal amongst others the phone number of Disney CEO Michael Eisner. Also, when Bennie the Cab wrecks at night and Eddie and Jessica roll out, there are two separate frames (2170-2172 on side 4 of the laserdisc version), within two seconds of each other, showing a blurry shot of her crotch. Disney recalled the laserdisc and issued another disc, later claiming that it was an incorrectly painted cel. Oddly, they also stated that the cel in question could be seen on the new disc and on the VHS version, prompting many to raise the question "if it's on the VHS version too, why was only the laserdisc recalled, and if the new discs were reissued with the same flawed cel, why did they go to the trouble in the first place?". The best way to see this on VHS is with a 4-head or 6-head VCR, as these have a clearer pause function than a 2-head VCR with no interference such as noise bars and loss of color while paused.

A brief scene consisting of the toon Baby Herman giving a sexual gesture to a female (human) extra on the set of the opening cartoon was edited out of the first DVD edition of the movie, though it can be found on editions of the VHS, laserdisc, and DVD issues.

Gary Wolf, author of the original novel Who Censored Roger Rabbit?, corresponded with many fans of the film through written letters and the Internet, compiling an exhaustive listing of the many hidden "easter eggs" in the film and in the later Roger Rabbit short films. Wolf also sued Disney in 2001 for unpaid earnings related to the film.

In the piano duel scene with Donald Duck and Daffy Duck, Daffy says "I've worked with a lot of wise-quackers, but you are despicable." and Donald supposedly replies, in his kazoo-like voice "God damn stupid nigger...." Snopes, a noted debunking website, debunks this with the closed-captioning which records Donald as saying "Goddurn stubborn nitwit," though Snopes actually believes he's saying something akin to his typical exclamation, "Why you doggone little...I'll...waaagh!" as is heard in many old Disney cartoons. The Snopes conclusion is that people are much more able to hear something negative when they know ahead of time what they are supposed to be hearing (suggestibility) as well as thinking the worst of an entertainment mega-corporation (distrust) which will lead them to hear what they want, whether or not it's true. 

Anachronisms
Roger Rabbit takes place in Hollywood in 1947. With this in mind, several anachronistic errors are easily spotted. For instance the model sheets used for many of the characters in it, especially the Warner Bros. stars, who were on paid license from Warner Bros., were typically older ones that were not actually in use at the time (Bugs Bunny, noticeably, used an early sheet that was phased out of use at Warner Bros./Leon Schlesinger Pictures in 1943). It could be, however, that these Toons are still around although retired from films. Also, several characters who were created after 1947 were included at the behest of the film crew; for example, the Road Runner & Wile E. Coyote appear because they are Robert Zemeckis' favorite cartoon characters. The appearance of post-1947 Toons can be explained by the idea that in the universe of the film, Toons are sentient beings who exist independent of humans and that certain Toons were around but hadn't started working in films yet.

There are some anachronisms in the film that aren't so easily explained by Roger Rabbit’s premise. In the scene where Judge Doom comes to the café looking for Roger, Angelo speaks up when he hears that there is a reward for the rabbit. He says: "Yeah, I've seen a rabbit", then he turns around and addresses thin air: "Say hello, Harvey." Many believe this is a reference to the James Stewart movie Harvey (in which the title character is a six-foot-tall talking rabbit seen only by the protagonist) and perceive it as an error, because the movie came out in 1950 and Roger Rabbit takes place in 1947. However the stage version of Harvey came out on Broadway in 1944, to which, logically, Angelo could be referring. Also, it is possible that the character himself is not intentionally or directly referencing the movie nor theatre production, and merely gives his 'rabbit' the name 'Harvey', thus enabling the filmmakers to reference the movie regardless of when it was released.

Another error that cannot be justified is the cartoon that plays in the theater where Eddie and Roger hide out: Goofy Gymnastics, a Goofy cartoon from 1949. In Roger Rabbit DVD special commentary, they explain the justification for the cartoon. When the movie was made, the film makers used Goofy Gymnastics because they considered it to be the most violent and comical cartoon Disney had made to that date.

Main characters
These characters were all created for and made their first appearances in the film.
 * Roger Rabbit
 * Jessica Rabbit
 * Benny The Cab
 * Baby Herman

Cartoon Characters that make cameo appearances

 * Main article: List of cameos in Who Framed Roger Rabbit
 * The success of Who Framed Roger Rabbit lead to a moderate degree of merchandising for the film. In December 1989, Hardees made a Christmas-themed certificate offer for a free VHS copy of the film as well as well as a Roger Rabbit toy. Other memorabilia included Christmas ornaments, snow globes, and a novelization of the film. While much of the merchandise was produced throughout the 1988-89 promotion of the 2002 film, The Lizzie McGuire Movie in other items would later be offered as commemorative collectibles in celebration of Disney-anniversaries.


 * Boom Kids commissioned a special graphic after in comic-book form.

References and footnotes

 * "Behind the Ears: The True Story of Roger Rabbit". (2002). Who Framed Roger Rabbit, Vista Series [DVD]. Year: 2002. Studio: Buena Vista Home Video.
 * Gray, Milton (1999). Cartoon Animation: Introduction to a Career. Lion's Den Publications. ISBN 096-284445-4.
 * David H. DePatie Conversations. Edited by Maureen Furniss. University Press of Mississippi. ISBN 1-57806-729-4.