Flash Gordon is a 1980 science fantasy film based on the King Features comic strip of the same name created by Alex Raymond. Directed by Mike Hodges and produced by Dino De Laurentiis, the film was shot in Technicolor and Todd-AO-35. It stars Sam J. Jones, Melody Anderson, Topol, Max von Sydow, Timothy Dalton, Brian Blessed and Ornella Muti. The movie was co-written by Michael Allin (known for Enter the Dragon) and Lorenzo Semple Jr. (who had previously scripted De Laurentiis's remake of King Kong). It uses a camp style similar to the 1960s TV series Batman (which Semple developed) in an attempt to appeal to fans of the original comics and serial films. Although a box office success in the United Kingdom, it performed poorly in other markets. The film is notable for its soundtrack composed, performed and produced by the rock band Queen, with the orchestral sections by Howard Blake. The film has since gained a significant cult following.
Plot[edit | edit source]
|Spoiler warning: The following contains plot details about|
the entire movie.
To relieve his boredom, Emperor Ming the Merciless of the planet Mongo declares that he will play with and destroy Earth by remotely causing natural disasters. On Earth, New York Jets football star "Flash" Gordon boards a small plane, where he meets travel agent Dale Arden. Mid-flight, the cockpit is hit by a meteorite and the pilots are lost. Flash takes control and manages to crash land into a greenhouse owned by Dr. Hans Zarkov. Zarkov, who believes the disasters are being caused because an extraterrestrial source is pushing the moon towards Earth, has secretly constructed a spacecraft that he plans to use to investigate. Zarkov's assistant refuses to go, so Zarkov lures Flash and Dale aboard. The rocket launches, taking them to Mongo, where they are captured by Ming's troops.
The trio is brought before Ming, who orders Dale be prepared for his pleasure. Flash tries to resist, but is overpowered. Ming orders Zarkov be reprogrammed and Flash executed. Ming's daughter, Princess Aura, seduces Ming's surgeon into saving Flash, to whom she is attracted. As they escape, Flash sees Zarkov being brainwashed by Klytus, the metal-faced head of the secret police. Aura and Flash flee to Arboria, kingdom of Prince Barin, Aura's lover. En route, Aura teaches Flash to use a telepathic communicator to contact Dale. He lets her know he is alive. Dale is locked in Ming's bedchamber but, encouraged by Flash, she escapes. Klytus sends Zarkov to intercept Dale, who tells him and Klytus that Flash is alive. Zarkov then reveals he resisted the brainwashing, and escapes Mingo City with Dale. They are quickly captured by Prince Vultan's Hawkmen and taken to Sky City.
Aura and Flash arrive at Arboria. Aura asks the Prince to keep Flash safe. A distrustful Barin, in love with Aura, agrees not to kill Flash, but then forces him to perform a deadly ritual. Barin and Flash take turns sticking their hands into a hollow stump with a giant scorpion-like Wood Beast inside. When Flash has to take an extra turn, he pretends to be stung as a distraction and escapes. Barin follows, but they are both captured by the Hawkmen.
Klytus informs Ming that Flash is alive and is given authority to find out who is responsible. Aura returns and is taken prisoner and tortured by Klytus and General Kala. They force her to confess and Ming orders her banished to the ice moon Frigia once his wedding has taken place. Meanwhile, Flash and Barin are taken to Sky City, where Flash and Dale are briefly reunited. Flash is forced to fight Barin in a death match, but Flash instead saves Barin's life, causing Barin to join him. Klytus arrives and Flash and Barin kill him. Knowing this will bring retribution, Vultan orders the Hawkmen to evacuate, leaving Barin, Flash, Dale and Zarkov behind. Ming's ship arrives and he orders Barin, Zarkov and Dale to be taken aboard. Ming is impressed with Flash and offers him lordship over Earth in exchange for loyalty. Flash refuses and Ming gives the order to destroy Vultan's kingdom along with Flash. Flash finds a rocket cycle and escapes before Sky City is destroyed.
Flash contacts Vultan, who is hiding on Arboria, and they plot an attack on Mingo City. Flash pretends to attack Mingo City alone on his rocket cycle. General Kala dispatches the war rocket Ajax to kill Flash, but the Hawkmen ambush and seize the rocket. Meanwhile, Princess Aura overpowers her guard and frees Barin and Zarkov from the execution chamber. Flash and the Hawkmen attack Mingo City in Ajax and Kala activates the defenses as Ming's and Dale's wedding begins. Mingo City's lightning field can only be penetrated by flying Ajax into it at a suicidal speed. Flash volunteers to stay at the helm to ensure success and enable the Hawkmen to invade the city.
Barin and Zarkov enter the control room to stop the lightning field, encountering Kala, who refuses to deactivate it. She attempts to kill Zarkov, but Barin shoots and kills her. Without Kala, they are unable to deactivate the field from that control room. Barin tells Zarkov to hold the fort while he heads to Sector Alpha 9. Zarkov keeps trying, but is unable to deactivate the shield.
Barin fights through Ming's guards and gets to Sector Alpha and deactivates the lightning field before Ajax hits it. Flash flies the rocket ship into the city's wedding hall and the ship's bow impales Ming. He drags himself off the rocket nose, seriously wounded, and Flash offers to spare his life if he will stop the attack on Earth. Ming refuses and attempts to use his power ring on Flash, but his power falters and nothing happens. He then aims the ring at himself and is seemingly vaporized by its remaining power, seconds before the counter to the destruction of the Earth reaches zero. A huge victory celebration ensues.
Barin and Aura become the new leaders in Ming's place. Barin names Vultan the leader of their armies. Flash, Dale and Zarkov discuss returning to Earth. Zarkov says he doesn't know how they will get back, but they will try. Barin tells them all they're welcome to stay, but Dale says she's a New York City girl, and it's now too quiet around Mongo.
The final frame shows Ming's ring being picked up by the hand of an unseen person. Ming's evil laugh echoes as the ending credits roll. Following the credits, the text "The End" is shown on the screen before a question mark (?) is appended.
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Cast[edit | edit source]
- Sam J. Jones as Flash Gordon
- Melody Anderson as Dale Arden
- Max von Sydow as Emperor Ming the Merciless
- Topol as Hans Zarkov
- Ornella Muti as Princess Aura
- Timothy Dalton as Prince Barin
- Brian Blessed as Prince Vultan
- Peter Wyngarde as General Klytus
- Mariangela Melato as General Kala
- Richard O'Brien as Fico
- John Osborne as Arborian Priest
- Philip Stone as Zogi the High Priest
- John Hallam as General Luro
- Suzanne Danielle as Serving Girl
- John Morton as Airline pilot
- William Hootkins as Munson, Dr. Zarkov's assistant
- Robbie Coltrane as Man at Airfield
- Peter Duncan as Young Treeman
- John Hollis as Klytus Observer No. 2
- Leon Greene as Colonel of Battle Control Room
- Tony Scannell as Ming's officer
- Bogdan Kominowski as a lieutenant of Ming's Air Force
- George Harris as Prince Thun
- Deep Roy as Fellini, Princess Aura's pet
- Bob Goody as Azurian Man
- Kenny Baker as Dwarf
- Malcolm Dixon as Dwarf
Production[edit | edit source]
Development[edit | edit source]
Initially, producer De Laurentiis wanted Italian director Federico Fellini to direct the picture; although Fellini optioned the Flash Gordon rights from De Laurentiis, he never made the film. George Lucas attempted to make a Flash Gordon film in the 1970s; unable to acquire the rights from De Laurentiis, Lucas decided to create Star Wars instead. De Laurentiis then hired Nicolas Roeg to make the film. Roeg, an admirer of the original Alex Raymond comic strips, spent a year in pre-production work. However, De Laurentiis was unhappy with Roeg's treatment of Flash Gordon, and Roeg left the project. De Laurentiis also considered hiring Sergio Leone to direct the Flash Gordon film; Leone refused, because he believed the script was not faithful to the original Raymond comic strips. De Laurentiis then hired Mike Hodges to direct.
Lorenzo Semple, Jr. wrote the script. He later recalled:
Dino wanted to make Flash Gordon humorous. At the time, I thought that was a possible way to go, but, in hindsight, I realize it was a terrible mistake. We kept fiddling around with the script, trying to decide whether to be funny or realistic. That was a catastrophic thing to do, with so much money involved... I never thought the character of Flash in the script was particularly good. But there was no pressure to make it any better. Dino had a vision of a comic-strip character treated in a comic style. That was silly, because Flash Gordon was never intended to be funny. The entire film got way out of control.
Filming[edit | edit source]
According to a 2012 interview in Maxim, Sam J. Jones had disagreements with De Laurentiis of some kind and departed prior to post-production, which resulted in a substantial portion of his dialogue being dubbed by a professional voice actor, whose identity is unknown. A sequel was proposed, but the departure of Jones effectively ended any such prospects. The airfield scene at the beginning of the film, although set in the U.S., was shot at the Broadford Airfield in Skye, Scotland.
Soundtrack[edit | edit source]
The film's soundtrack was composed and performed by the rock band Queen. Flash Gordon was one of the earliest high-budget feature films to use a score primarily composed and performed by a rock band (an earlier example is The Who's Tommy (1975)). Additional orchestral score pieces were also composed by Howard Blake. Blake's pieces from the film have been released on CD, alongside his score from Amityville 3-D.
Release[edit | edit source]
The film was originally released in North America via Universal Studios. Universal has retained the domestic theatrical and home video rights, while the international rights passed on through different distributors, eventually residing with StudioCanal. However, the film's UK distributor, Thorn EMI, controlled U.S TV rights. Although StudioCanal now holds those rights due to ownership of the EMI film library, they licensed them to MGM for U.S syndication, which explains why MGM's logo appears on current television airings.
Reception[edit | edit source]
Flash Gordon, in total, grossed well above double its $20 million budget, grossing $27,107,960 in North America, which was augmented by a very strong showing in the United Kingdom, grossing nearly £14 million. Additionally, the film performed well in Italy, due to the two Italian actors prominent in the credits. The film found appreciation with some film critics, such as The New Yorker's Pauline Kael. Kael described Flash Gordon as having "some of the knowing, pleasurable giddiness of the fast-moving Bonds...The director, Mike Hodges, gets right into comic-strip sensibility and pacing". Roger Ebert also praised Flash Gordon, stating "Flash Gordon is played for laughs, and wisely so...This is space opera, a genre invented by Edgar Rice Burroughs and Hugo Gernsback and other men of unlimited imagination harnessed to definitely limited skills. It's fun to see it done with energy and love and without the pseudo-meaningful apparatus of the Force and Trekkie Power... Is it fun? Yeah, sort of, it is."
In contrast, Leslie Halliwell wrote in 1981 that the film was "another addition to the increasing numbers of such things being restaged at enormous expense fifty years after their prime". Richard Combs in the Monthly Film Bulletin called it "an expensively irrelevant gloss on its sources." Godfrey Fitzsimmons of The Irish Times said "Flash Gordon is a hodge-podge...the humour is not very funny and much of the "serious" element is hilarious, which makes for an unsatisfying film." Von Sydow (Ming) received a good deal of praise for his performance, but Jones (Gordon) was nominated for a Golden Raspberry Award for Worst Actor. Before the film's run in theaters, a sequel was considered and according to Brian Blessed on the Region 2 DVD commentary for Flash Gordon – Silver Anniversary Edition, the sequel was going to be set on Mars, as a possible update of the Buster Crabbe serials.
The film received overall positive reviews, holding an 82% approval rating at the film review aggregator Rotten Tomatoes, based on 38 reviews. The film ranked No. 88 on the Rotten Tomatoes Journey Through Sci-Fi List (100 Best-Reviewed Sci-Fi Movies).
Reviewing the film for The Encyclopedia of Fantasy, John Grant stated the film was "Rather heavy-handed in its attempts at Parody" and that it used "stark garishness to compensate for appalling spfx"; he concluded that Flash Gordon "is a gaudy cliché whose charm should not be underestimated". John Clute gave Flash Gordon a mixed review, saying "the special effects are great" and praising the action sequences. However Clute expressed dislike for Flash Gordon's humorous, self-aware tone, adding the actors "are all just playing, and we know it". Peter Nicholls in The Encyclopedia of Science Fiction gave a negative verdict on Flash Gordon: "Apart from the fetishistic costumes...there is little of interest in this tongue-in-cheek, lurid fantasy, which tries to make a Comic-strip virtue of wooden acting." The Aurum Film Encyclopedia also gave the film an adverse review, claiming it was impossible to suspend disbelief in the film: "Hodges puts a knowingness and literalness that works completely against the sense of pulp poetry so essential if we are to believe in Flash". It also described Semple's script as "similarly bland, its occasional witticisms notwithstanding". Reviewing Flash Gordon for The Dissolve website, Keith Phipps stated, "Flash Gordon is, like Batman, entertaining for kids and a different sort of entertaining for grown-ups, who pick up on the goofiness...But there’s more than a whiff of condescension to it, too, as if it’s ridiculous to even consider Raymond’s vision of clashing heroes and villains as anything but comedy fodder."
Cult following[edit | edit source]
Flash Gordon has since become a cult classic with fans of science fiction and fantasy. It is a favourite of director Edgar Wright, who used the film as one of the visual influences for Scott Pilgrim vs. the World. Acclaimed comic book artist Alex Ross names the film as his favorite film of all time. He painted the cover of the film's 2007 "Saviour of the Universe Edition" DVD release, and starred in a featurette to talk extensively about his affection for the film. In Seth MacFarlane's 2012 comedy Ted, the characters of Ted (MacFarlane) and John (Mark Wahlberg) are fans of Flash Gordon, and it is referenced several times throughout the film. Jones (playing himself) also appears in the film during a manic party sequence and in the film's conclusion. He also appears in the sequel Ted 2. Horror punk musician Wednesday 13 based the song "Hail Ming" on his album The Dixie Dead (2013) on the film.
Blessed's performance as Prince Vultan lodged the veteran stage and screen actor into the United Kingdom collective consciousness for the utterance of a single line – "Gordon's alive?!" – which, more than 30 years later, remains the most repeated, reused, and recycled quotation from both the film and Blessed's career.
The Dynamite Entertainment comic Flash Gordon: Zeitgeist drew on several elements of the 1980 film, including the reappearance of the villain Klytus (who does not appear in the original comic strips). In this adaptation, Klytus again serves as Ming's main henchman. The 2014 Dynamite Flash Gordon comic also contained several allusions to the film, including having Vultan speak the line "Gordon's alive?!".
In 2018, Life After Flash, a feature-length documentary directed by Lisa Downs & produced by Ashley Pugh, had its World Premiere at Chattanooga Film Festival, followed by the European Premiere at the 72nd Edinburgh International Film Festival. Life After Flash not only celebrates the 1980 classic featuring interviews with cast, crew and fans including Melody Anderson, Brian Blessed, Peter Wyngarde, Mark Millar, Robert Rodriguez, Stan Lee and Brian May, but also explores the aftermath of when star Sam J Jones went up against one of the most powerful producers in Hollywood: Dino De Laurentiis. Executive Produced by Sam J Jones, Aleksandar Smiljanic and Matt Pasant.