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This was one of the first Toei animated features to depart from Asian mythology, though, like Toei's previous animated features, it is modeled after the Disney formula of animated musical feature. By borrowing elements from Hans Christian Andersen, Jonathan Swift and science fiction, it was hoped that this film would attract a large international audience. However it proved to be no more popular than Toei's previous, Asian-themed films. After the failure in the U.S. of this and Toei's previous animated featureStub, this was the last Japanese animated feature to be released in the United States for over a decade, until Sanrio's Metamorphoses and The Mouse and His Child, both of which were released in the U.S. in 1978.[1]

References[]

  1. Beck, Jerry (2005). The animated movie guide. Chicago: Chicago Review Press. ISBN 1-55652-591-5.