|First appearance||Plane Crazy (May 15, 1928)|
|Created by||Walt Disney|
|Voiced by||Walt Disney (1928–1947) |
Jack Haley (1953–1967)
Wayne Allwine (1983 - 2009)
Bret Iwan (2009 - present)
Mickey Mouse is an Academy Award-winning comic animal cartoon character who has become an icon for The Walt Disney Company. He was created in 1928 by Ub Iwerks and voiced by Walt Disney. The Walt Disney Company celebrates his birth as November 18, 1928 upon the release of Steamboat Willie. The anthropomorphic mouse has evolved from being simply a character in animated cartoons and comic strips to become one of the most recognizable symbols in the world.
- 1 Creation and debut
- 2 Early landmarks
- 3 Roles
- 4 Mouse in transition
- 5 Later Mickey history
- 6 Social impact
- 7 Legal issues
- 8 Filmography
- 9 References
- 10 See also
- 11 External links
Creation and debut[edit | edit source]
Oswald the Lucky Rabbit's replacement[edit | edit source]
An Oswald the Lucky Rabbit movie poster from 1927.[right] Mickey was created as a replacement for Oswald the Lucky Rabbit, an earlier star created by the Disney studio for Charles Mintz of Universal Studios. In fact, Mickey closely resembled Oswald in his early appearances. When Disney asked for a larger budget for his popular Oswald series, Mintz announced he had hired the bulk of Disney's staff but that Disney could keep doing the Oswald series as long as he agreed to a budget cut and went on the payroll. Mintz owned Oswald and thought he had Disney over a barrel. Angrily, Disney refused the deal and returned to California to produce the final Oswald cartoons he contractually owed Mintz. Disney was dismayed at the betrayal by his staff but determined to restart from scratch. The new Disney Studio initially consisted of animator Ub Iwerks and a loyal apprentice artist, Les Clark. One lesson Disney learned from the experience was to thereafter always make sure that he owned all rights to the characters produced by his company.
In the spring of 1928, Disney asked Ub Iwerks to start drawing up new character ideas. Iwerks tried sketches of frogs, dogs and cats but none of these appealed to Disney. A female cow and male horse were created at this time by Ub Iwerks, but were also rejected. They would later turn up as Clarabelle Cow and Horace Horsecollar. Ub Iwerks eventually got inspiration from an old drawing. In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. These inspired Ub Iwerks to create a new mouse character for Disney called Mickey Mouse.
"We felt that the public, and especially the children, like animals that are cute and little. I think we are rather indebted to Charlie Chaplin for the idea. We wanted something appealing, and we thought of a tiny bit of a mouse that would have something of the wistfulness of Chaplin — a little fellow trying to do the best he could."
"When people laugh at Mickey Mouse, it's because he's so human; and that is the secret of his popularity."
"I only hope that we don't lose sight of one thing — that it was all started by a mouse." — Walt Disney 
Plane Crazy[edit | edit source]
Mickey and Minnie debuted in the cartoon short Plane Crazy, first released on May 15, 1928. The cartoon was co-directed by Walt Disney and Ub Iwerks. Iwerks was also the main animator for this short, and reportedly spent six weeks working on it. In fact, Iwerks was the main animator for every Disney short released in 1928 and 1929. Hugh Harman and Rudolf Ising also assisted Disney during those years. They had already signed their contracts with Charles Mintz, but he was still in the process of forming his new studio and so for the time being they were still employed by Disney. This short would be the last they animated under this somewhat awkward situation.
The plot of Plane Crazy was fairly simple. Mickey is apparently trying to become an aviator in emulation of Charles Lindbergh. After building his own aircraft, he proceeds to ask Minnie to join him for its first flight, during which he repeatedly and unsuccessfully attempts to kiss her, eventually resorting to force. Minnie then parachutes out of the plane. While distracted by her, Mickey loses control of the plane. This becomes the beginning of an out-of-control flight that results in a series of humorous situations and eventually in the crash-landing of the aircraft. A non-anthropomorphic cow that briefly becomes a passenger in the aircraft is believed to be Clarabelle Cow making her debut.
Mickey as portrayed in Plane Crazy was mischievous, amorous, and has often been described as a rogue. At the time of its first release, however, Plane Crazy apparently failed to impress audiences, and to add insult to injury, Walt could not find a distributor. Though understandably disappointed, Walt went on to produce a second Mickey short: The Gallopin' Gaucho.
Early landmarks[edit | edit source]
First encounter with Black/Peg Leg Pete[edit | edit source]
The Gallopin' Gaucho was again co-directed by Walt Disney and Ub Iwerks, with the latter serving as the sole animator in this case. The short was intended as a parody of Douglas Fairbanks's The Gaucho, a film first released on November 21, 1927. Following the original film, the events of the short take place in the Pampas of Argentina. The gaucho of the title was Mickey himself. He is first seen riding on a rhea, instead of a horse as would be expected (or an ostrich as often reported). He soon encounters "Cantina Argentina," apparently serving as the local bar and restaurant. Mickey proceeds to enter the establishment and take a seat. He apparently just wants to relax with some drinking and tobacco smoking. Also present at the establishment are Pegleg Pete (later renamed Black Pete, or just Pete), a wanted outlaw and fellow customer for the time being, and Minnie Mouse, the barmaid and dancer of the establishment, at the time performing a tango. Both customers soon begin to flirt with Minnie and to rival one another. At some point Pete proceeds in kidnapping Minnie and attempts to escape on his horse. Mickey gives chase on his rhea. He soon catches up to his rival and they proceed to fight with swords. Mickey emerges the victor of this joust. The finale of the short has Mickey and Minnie riding the rhea into the distance.
In later interviews, Iwerks would comment that Mickey as featured in The Gallopin' Gaucho was intended to be a swashbuckler, an adventurer modeled after Fairbanks himself. This short marks the first encounter between Mickey and Black Pete, a character already established as an antagonist in both the Alice Comedies and the Oswald series. Based on Mickey and Minnie acting as strangers to each other before the finale, it was presumably intended to feature their original acquaintance to each other as well. Modern audiences have commented that all three characters seem to be coming out of rough, lower-class backgrounds that little resemble their later versions. Consequently the short is arguably of some historical significance.
At the time of its original production though, Walt again failed to find a distributor. It would be first released on December 30, 1928, following the release of another Mickey short. Reportedly Mickey was at first thought to be much too similar to Oswald and this resulted in the apparent lack of interest in him. Walt would soon start to contemplate ways to distinguish the Mickey Mouse series from his previous work and that of his rivals. The result of his contemplations would be the third Mickey short to be produced, the second to be released and the first to really draw the attention of the audiences: Steamboat Willie.
Addition of sound to the series[edit | edit source]
Steamboat Willie was first released on November 18, 1928. It was co-directed by Walt Disney and Ub Iwerks. Iwerks again served as the head animator, assisted by Johnny Cannon, Les Clark, Wilfred Jackson and Dick Lundy. This short was intended as a parody of Buster Keaton's Steamboat Bill Jr., first released on May 12 of the same year. Despite the fact this was not the first Mickey cartoon made or released, it is still considered by some as Mickey Mouse's true debut.
The cartoon was not the first animated film ever to feature a synchronized sound, music, and dialogue track: Fleischer Studios, headed by brothers Dave and Max Fleischer, had already released a number of sound cartoons using the DeForest system in the mid-1920s. As a matter of fact, Disney got the idea of making a sound cartoon after watching an Aesop's Film Fable cartoon entitled Dinner Time.
Steamboat Willie was, however, the first sound cartoon to achieve wide recognition. Animation historians have long debated who had served as the composer for the film's original music. This role has been variously attributed to Wilfred Jackson, Carl Stalling and Bert Lewis, but identification remains uncertain. Walt Disney himself was voice actor for both Mickey and Minnie.
The script had Mickey serving aboard Steamboat Willie under Captain Pete. At first he is seen piloting the steamboat while whistling. Then Pete arrives to take over piloting and angrily throws him out of the boat's bridge. They soon have to stop for cargo to be transferred on board. Almost as soon as they leave, Minnie arrives. She was apparently supposed to be their only passenger but was late to board. Mickey manages to pick her up from the river shore. Minnie accidentally drops her sheet music for the popular folk song "Turkey in the Straw". A goat which was among the animals transported on the steamboat proceeds to eat the sheet music. Consequently Mickey and Minnie use its tail to turn it into a phonograph which is playing the tune. Through the rest of the short, Mickey uses various other animals as musical instruments. Captain Pete is eventually disturbed by all this noise and places Mickey back to work. Mickey is reduced to peeling potatoes for the rest of the trip. A parrot attempts to make fun of him but is then thrown to the river by Mickey. This served as the final scene of this short.
Audiences at the time of Steamboat Willie's release were reportedly impressed by the use of sound for comedic purposes. Sound films were still considered innovative. The first feature-length movie with dialogue sequences, The Jazz Singer starring Al Jolson, was released on October 6, 1927. Within a year of its success, most United States movie theaters had installed sound film equipment. Walt Disney apparently intended to take advantage of this new trend and, arguably, managed to succeed. Most other cartoon studios were still producing silent products and so were unable to effectively act as competition to Disney. As a result Mickey would soon become the most prominent animated character of the time. Walt Disney soon worked on adding sound to both Plane Crazy and The Gallopin' Gaucho (which had originally been silent releases) and their new release added to Mickey's success and popularity. A fourth Mickey short was also put into production. It was The Barn Dance. However, Mickey doesn't actually speak until "The Karnival Kid" in 1929 when his first spoken words were "Hot dogs, Hot dogs!"
Roles[edit | edit source]
Mickey as a suitor[edit | edit source]
The Barn Dance, first released on March 14, 1929, was the first of twelve Mickey shorts released during that year. It was directed by Walt Disney with Ub Iwerks as the head animator. This short is notable for featuring Mickey turned down by Minnie in favor of Pete. It is also an unusual appearance of the Pete character; previously depicted as a menacing villain, he is portrayed here as a well-mannered gentleman. In addition, Mickey was not depicted as a hero but as a rather ineffective young suitor. In his sadness and crying over his failure, Mickey appears unusually emotional and vulnerable. It has been commented, however, that this only serves to add to the audience's empathy for the character.
First gloved appearance[edit | edit source]
"Ever wonder why we always wear these white gloves?" - Various characters (with minor variations)
The Opry House, first released on March 28, 1929, was the second short released during the year. This short introduced Mickey's gloves. Mickey can be seen wearing them in most of his subsequent appearances. Supposedly one reason for adding the white gloves was to allow audiences to distinguish the characters' hands when they appeared against their bodies, as both were black (Mickey did not appear in color until The Band Concert in 1935). The three black lines on the backs of the gloves represent darts in the gloves' fabric extending from between the digits of the hand, typical of kid glove design of the era.
Depiction as a regular mouse[edit | edit source]
When the Cat's Away, first released on April 18, 1929, was the third Mickey short to be released that year. It was essentially a remake of one of the Alice Comedies, Alice Rattled by Rats, which had been first released on January 15, 1926. Kat Nipp makes his second appearance, though his name is given as "Tom Cat" (this describes his being a tom cat, and the character should not be confused with the co-star of the Tom and Jerry series). He is seen getting drunk on alcoholic beverages. Then he leaves his house to go hunting. In his absence an army of mice invade his house in search of food. Among them are Mickey and Minnie, who proceed to turn this gathering into a party. This short is unusual in depicting Mickey and Minnie as having the size and partly the behavior of regular mice. The set standard both before and after this short was to depict them as having the size of rather short human beings. On another note, it has been commented that since this short was released during the Prohibition era, the alcoholic beverages would probably have been products of bootlegging.
Mickey as a soldier[edit | edit source]
The next Mickey short to be released is also considered unusual. It was The Barnyard Battle, first released on April 25, 1929. This short is notable as the first to depict Mickey as a soldier and the first to place him in combat.
Mouse in transition[edit | edit source]
Mickey entering the Depression Era[edit | edit source]
The twelfth and last Mickey short released during the year was Jungle Rhythm, first released on November 15, 1929. Mickey is seen in a safari somewhere in Africa. He rides on an elephant and is armed with a shotgun. But the latter proves to be problematic soon after Mickey finds himself standing in between a lion and a bear. Mickey proceeds to play music to calm them down. During the rest of the short, various jungle animals dance to Mickey's tunes. The tunes vary from the previously mentioned "Yankee Doodle" and "Turkey in the Straw" to "Auld Lang Syne", "The Blue Danube", and Aloha `Oe.
First comic strip appearance[edit | edit source]
By this point Mickey had appeared in fifteen commercially successful animated shorts and was easily recognized by the public. So Walt Disney was approached by King Features Syndicate with the offer to licence Mickey and his supporting characters for use in a comic strip. Walt accepted and Mickey made his first comic strip appearance on January 13, 1930. The comical plot was credited to Walt Disney himself, art to Ub Iwerks and inking to Win Smith. The first week or so of the strip featured a loose adaptation of Plane Crazy. Minnie soon became the first addition to the cast. The strips first released between January 13, 1930 and March 31, 1930 have been occasionally reprinted in comic book form under the collective title "Lost on a Desert Island".
Classical music performances[edit | edit source]
Meanwhile in animation, two more Mickey shorts had been released. The first of them was The Barnyard Concert, first released on March 3, 1930. It featured Mickey conducting an orchestra. The only recurring characters among its members were Clarabelle as a flutist and Horace as a drummer. Their rendition of the Poet and Peasant is humorous enough; but it has been noted that several of the gags featured were repeated from previous shorts. The second was originally released on March 14, 1930 under the title Fiddlin' Around but has since been renamed to Just Mickey. Both titles give an accurate enough description of the short which has Mickey performing a violin solo. It is only notable for Mickey's emotional renditions of the finale to the William Tell Overture, Robert Schumann's Träumerei (Reverie), and Franz Liszt's Hungarian Rhapsody No. 2.
Departure of a co-creator and consequences[edit | edit source]
They were followed by Cactus Kid, first released on April 11, 1930. As the title implies the short was intended as a Western movie parody. But it is considered to be more or less a remake of The Gallopin' Gaucho set in Mexico instead of Argentina. Mickey was again cast as a lonely traveler who walks into the local tavern and starts flirting with its dancer. The latter is again Minnie. The rival suitor to Mickey is again Pete though using the alias Peg-Leg Pedro. For the first time in a Mickey short, Pete was depicted as having a peg-leg. This would become a recurring feature of the character. The rhea of the original short was replaced by Horace Horsecollar. This is considered to be his last non-anthropomorphic appearance. The short is considered significant for being the last Mickey short to be animated by Ub Iwerks.
Shortly before its release, Iwerks had left the Studio in an attempt to create his own. The result of his early efforts was the Flip the Frog series. His departure is considered to mark a turning point to the careers of both Walt Disney and Mickey Mouse. The former lost the man who served as his closest colleague and confidant since 1919. The latter lost the man responsible for his original design and for the direction and/or animation of several of the shorts released till this point, and some would argue Mickey's creator. Walt Disney has been credited for the inspiration to create Mickey, but Iwerks was the one to design the character and the first few Mickey Mouse cartoons were mostly or entirely drawn by Iwerks. Consequently some animation historians have suggested that Iwerks should be considered the actual creator of Mickey Mouse. It has been pointed that advertising for the early Mickey Mouse cartoons credit them as "A Walt Disney Comic, drawn by Ub Iwerks". Later Disney Company reissues of the early cartoons tend to credit Walt Disney alone.
In any case, Walt and his remaining staff continued the production of the Mickey series. Mickey continued to appear regularly in animated shorts until 1943 and again from 1946 to 1952. But back in early 1930, Walt had another matter to attend to: the creation of the comic strip after Iwerks' departure. At first Walt was content to continue scripting it and assigning the art to Win Smith. However, Walt's focus had always been in animation and Smith was soon assigned with the scripting as well. Win Smith was apparently discontent at having to script, draw, and ink a series by himself. This became evident by his sudden resignation. Another reason might be that Walt Disney was a very impossible man, and Win Smith got sick of this lack of freedom to create in.
Walt proceeded to search for a replacement to Smith among the remaining staff of the Studio. For uncertain reasons he chose Floyd Gottfredson, a recently hired employee. At the time Floyd was reportedly eager to work in animation and somewhat reluctant to accept his new assignment. Walt had to assure Floyd that the assignment was only temporary and that he would eventually return to animation. Floyd accepted and ended up holding this "temporary" assignment from May 5, 1930 to November 15, 1975.
Appearances in comics[edit | edit source]
Floyd at first had to work on the continuation of a storyline which his predecessors had started on April 1, 1930. The storyline was completed on September 20, 1930 and was later reprinted in comic book form as Mickey Mouse in Death Valley. This early adventure contributed to the extension of the comic strip cast which by this point only included Mickey and Minnie. This story would bring the first comic strip appearances of Clarabelle Cow, Horace Horsecollar and Black Pete as well as the debuts of corrupted lawyer Sylvester Shyster and Minnie's uncle Mortimer Mouse. The story was followed by Mr. Slicker and the Egg Robbers, first printed between September 22 and December 26, 1930, which introduced Marcus Mouse and his wife as Minnie's parents.
Starting with these two early comic strip stories, Mickey's versions in animation and comics are considered to have diverged from each other. While Disney and his cartoon shorts would continue to focus on comedy, the comic strip effectively combined comedy and adventure. This adventurous version of Mickey would continue to appear in comic strips and later comic books throughout the 20th and into the 21st century.
Mickey was the main character for the series MM Mickey Mouse Mystery Magazine, published in Italy from 1999 to 2001.
Later Mickey history[edit | edit source]
Recent history[edit | edit source]
Many television program have centered around Mickey, such as the recent shows The Mickey Mouse Club (1978—1981),
Video games[edit | edit source]
Like many popular characters, Mickey has starred in many video games, including Mickey Mousecapade on the Nintendo Entertainment System, Mickey Mania, Mickey's Ultimate Challenge, and Disney's Magical Quest on the Super Nintendo Entertainment System, Castle of Illusion Starring Mickey Mouse on the Sega Genesis and Sony PlayStation, Mickey Mouse: Magic Wands on the Game Boy, and many others. In the 2000s, the Disney's Magical Quest series were ported to the Game Boy Advance, while Mickey made his sixth generation era debut in Disney's Magical Mirror, a Nintendo GameCube title aimed at younger audiences. Mickey plays a role in the Kingdom Hearts series, as the king of Disney Castle and aide to the protagonist, Sora.
Toys and games[edit | edit source]
In 1989, Milton Bradley released the electronic-talking game titled Mickey Says, with three modes featuring Mickey Mouse as its host. Mickey also appeared in other toys and games, including the Worlds of Wonder-released Talking Mickey Mouse.
Mickey's voice[edit | edit source]
A large part of Mickey's screen persona is his famously shy, falsetto voice. From his first speaking role in The Karnival Kid onward, Mickey was voiced by Walt Disney himself, a task in which Disney took great personal pride. (Carl Stalling and Clarence Nash allegedly did some uncredited ADR for Mickey in a few early shorts as well.) However, by 1946, Disney was becoming too busy with running the studio to do regular voice work (and it is speculated his cigarette habit had damaged his voice over the years), and during the recording of the Mickey and the Beanstalk section of Fun and Fancy Free, Mickey's voice was handed over to veteran Disney musician and actor Jim MacDonald. (Both Disney's and MacDonald's voices can be heard on the final soundtrack.) Macdonald voiced Mickey in the remainder of the theatrical shorts, and for various television and publicity projects up until his retirement in the mid-1970s, although Walt voiced Mickey again for the introductions of the original 1954—1959 "Mickey Mouse Club" TV series and the "Fourth Anniversary Show" episode of the "Disneyland" TV series aired on September 11, 1958. 1983's Mickey's Christmas Carol marked the debut of Wayne Allwine as Mickey Mouse, who is the current voice actor. Allwine is, incidentally, married to Russi Taylor, the current voice of Minnie Mouse. Les Perkins did the voice of Mickey in the TV special Down and Out with Donald Duck released in 1987.
Social impact[edit | edit source]
Electoral career[edit | edit source]
In the United States, protest votes are often made in order to indicate dissatisfaction with the slate of candidates presented on a particular ballot, or to highlight the inadequacies of a particular voting procedure. Since most states' electoral systems do not provide for blank balloting or a choice of "None of the Above", most protest votes take the form of a clearly non-serious candidate's name entered as a write-in vote. Cartoon characters are typically chosen for this purpose; as Mickey Mouse is the best-known and most-recognized character in America, his name is frequently selected for this purpose. (Other popular selections include Donald Duck and Captain Hook.) This phenomenon has the humorous effect of causing Mickey Mouse to be a minor but perennial contestant in nearly all U.S. presidential elections.
A similar phenomenon occurs in the parliament elections in Finland and Sweden, although Finns and Swedes usually write Donald Duck or Donald Duck Party as a protest vote.
Pejorative use of Mickey's name[edit | edit source]
"Mickey Mouse" is a slang expression meaning small-time, amateurish or trivial.
- In 1984, just after a game in which Wayne Gretzky's Edmonton Oilers beat the New Jersey Devils 13-4, Gretzky is quoted as saying to a reporter, "Well, it's time they got their act together, they're ruining the whole league. They had better stop running a Mickey Mouse organization and put somebody on the ice."
- In the 1993 Warner Bros. film Demolition Man, as Sylvester Stallone's character is fighting the malfunctioning AI of his out-of-control police car, he shouts for the system to "Brake! Brake! Brake, now, you Mickey Mouse piece of crap!"
- In the 1996 Warner Bros. film Space Jam, Bugs Bunny derogatorily referred to Daffy Duck's idea for the name of their basketball team ("the Ducks", as in the Disney-owned Mighty Ducks) as a "Mickey Mouse organization."
- In the United States armed forces, actions that produce good looks, but have little practical use, (such as the specific manner of making beds in basic training or the polishing of brass fittings onboard ship) are commonly referred to as "Mickey Mouse work".
- In schools a "Mickey Mouse course" or "Mickey Mouse major" is a class or college major where very little effort is necessary in order to attain a good grade (especially an A) and/or one where the subject matter of such a class is not of any importance in the labour market. 
- Musicians often refer to a film score that directly follows each action on screen as Mickey Mousing (also mickey-mousing and mickeymousing).
- "Mickey Mouse money" is a derogatory term for foreign currency, often used by Americans to describe indigenous currency in a foreign country in which they are traveling. The term also refers to fake banknotes, especially in UK. (Disney theme parks and resorts have an actual kind of Mickey Mouse money, Disney Dollars. This money is worthless outside the Disney property and stores).
- The software company Microsoft has been derogatorily called "Mickeysoft".
- In card games, it is common for a "Mickey Mouse hand" to be played for instructional purposes. In such a hand all cards of all players that would normally be concealed are displayed, to demonstrate to new players the rules and procedures of the game.
- In motorsport, short road courses with tight corners, short straightways and no overtaking spots are sometimes called "Mickey Mouse tracks".
- In Cockney rhyming slang, a "Mickey" refers to a Liverpudlian or Liverpool FC supporter (i.e. Mickey Mouser = Scouser). It may also refer to someone's home (house = Mickey Mouse).
- The Los Angeles Mafia was known, because of their disorganised behaviour and mess-ups, as the "Mickey Mouse Mafia"
- In the beginning of the 1980s, the then British Prime Minister, Margaret Thatcher once called the European Parliament a Mickey Mouse parliament; meaning a discussion club without influence.
- In volume one, chapter seven of the Japanese manga "Pokémon Adventures," when Pikachu is released from a Pokéball, the character Misty asks Red, the main character, if it is a Pikachu. Red replys with, "Ain't Mickey Mouse," for Pikachu is known to be quite small.
Legal issues[edit | edit source]
Many people erroneously believe that the Mickey Mouse character is protected only by copyright. In fact, the Mickey Mouse character, like all major Disney characters, is protected as a trademark, which like all trademarks lasts in perpetuity as long as it continues to be used commercially by its owner. Whether or not a particular Disney cartoon goes into the public domain, the characters themselves will remain protected as trademarks from unauthorized use. However, within the United States the Copyright Term Extension Act (sometimes called the 'Mickey Mouse Protection Act' due to extensive lobbying by the Disney corporation) has ensured that works such as the early Mickey Mouse cartoons will remain copyrighted in America for quite some time.
The Walt Disney Company has become well known for protecting its trademark on the Mickey Mouse character, whose likeness is so closely associated with the company, with particular zeal. In 1989, Disney sued three daycare centers in Hallandale, Florida for having Mickey Mouse and other Disney characters painted on their walls. The characters were removed, and rival Universal Studios replaced them with Universal cartoon characters. 
In 1935, Romanian authorities banned Mickey Mouse films from cinemas after they feared that children would be scared to see a ten-foot mouse in the movie theatre.
In 2007, a Mickey Mouse clone named "Farfur" was used in the Tomorrow's Pioneers television series, on the official Hamas TV station, to indoctrinate children: "We are setting with you the cornerstone for world leadership under Islamic leadership." [...] "You must be careful regarding your prayer and to go to the mosque for all five [daily] prayers [...] until we can lead the world." The Palestinian Information Minister asked Hamas representatives to revise the program. However, Hamas has not done so and the show continues to be broadcast and support violence. The character was later beaten to death by an Israeli and was replaced two weeks later by Nahoul, his bumblebee cousin.
Walt Disney's daughter, Diane Disney Miller called Hamas "pure evil" for using Mickey Mouse to teach Islamic radicalism to children.
Filmography[edit | edit source]
Lovable Mickey Mouse cartoons and appearances[edit | edit source]
- Steamboat Willie (1938) - First appearance (in order of release).
- Mickey's Trailer (1939) - Mickey Mouse
- Who Framed Roger Rabbit (1988) - First screen appearance of Mickey since, 1949.
References[edit | edit source]
- Kenworthy, John The Hand Behind the Mouse, Disney Editions: New York, 2001. p.54.
- Disney Online Guest Services. Disney Online. Retrieved on 2006-08-31.
- Kenworthy, John The Hand Behind the Mouse, Disney Editions: New York, 2001. p. 53.
- Kenworthy, John The Hand Behind the Mouse, Disney Editions: New York, 2001. p. 54
- 983-84: Growing Pains Lead to Promise
- Richard Forno. "'Microsoft,' No. 'Mickeysoft', Yes." Published November 28, 2001; retrieved November 7, 2006.
- Palestinian Media Watch report, May 6, 2007 (Fox news report; original Hamas broadcast, al-Aqsa TV, April 2007; report by the International Herald Tribune/AP, May 8, 2007)
- Hamas May Revise Jihad-Promoting 'Mickey Mouse' Program, Cybercast News Service, May 9, 2007
- Hamas TV airs anti-Israel kids' show despite protest
- Disney daughter calls Muslim Mickey evil, The Australian, May 9, 2007
See also[edit | edit source]
- Minnie Mouse, best known as the fellow Disney character, often portrayed as Mickey's significant other in animated shorts and features.
- Pluto, a canine character of the Disney series who is often portrayed as Mickey's dog in the animated shorts and features.
- Mickey Mouse universe, the phenomenon that has spawned from the Mickey Mouse series and other related characters.
- Mouse Museum, a Russian museum featuring artifacts and memorabilia relating to Mickey Mouse.
- Mickey Mouse Adventures A short-lived comic starring Mickey Mouse as the protagonist.
- Hidden Mickey, a phenomenon featuring throughout Disney films, theme parks and merchandise involving hiding images that are similar to a silhouette of Mickey's head and ears, another trademark of the Disney series, in non-related places.
- Celebration Mickey, a two foot tall, 100 lb., 24-karat gold authentic Mickey Mouse sculpture, designed by Disney artist Marc Delle and produced in 2001 to commemorate Walt Disney's 100th birthday. Certified an authentic and one-of-a-kind piece by Disneyland Resort, it is the largest gold sculpture ever cast in the history of the Disney Company.
[edit | edit source]