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Opening Logos[]

Opening Credits[]

  • Goldcrest presents
  • A Sullivan Bluth Studios Ireland Ltd. Production
  • A Don Bluth film
  • "Rock-A-Doodle"
  • Screenplay by: David N. Weiss
  • Original Songs by: T.J. Kuenster
  • Musical Score by: Robert Folk
  • Executive Producers: John Quested, Morris F. Sullivan
  • Producers: Don Bluth, Gary Goldman, John Pomeroy
  • Directed by: Don Bluth

Ending Credits[]

  • Co-Directors: Gary Goldman, Dan Kuenster
  • Story by: Don Bluth, David N. Weiss, John Pomeroy, T.J. Kuenster, David Steinberg, Gary Goldman
  • Screenplay by: David N. Weiss
  • Production Designer: David Goetz
  • Art Director: Don Moore
  • Additional Dialogue: T.J. Kuenster
  • Actors in Order of Performance:
    • Narrator/Patou - Phil Harris
    • Chanticleer - Glen Campbell
    • Snipes - Eddie Deezen
    • Mother - Kathryn Holcomb
    • Edmond - Toby Scott Ganger
    • Dad - Stan Ivar
    • Scott - Christian Hoff
    • Mark - Jason Marin
    • The Duke - Christopher Plummer
    • Peepers - Sandy Duncan
    • Stuey - Will Ryan
    • Hunch - Charles Nelson-Reilly
    • Goldie - Ellen Greene
    • Pinky - Sorrell Booke
    • Chanticleer's Farmyard Backup Singers/The King's Backup Singers /Patou's Backup Singers - The Jordanaires
    • Rhino Waiter - Dan Kuenster
    • Animals and Toads - Frank Welker
  • Additional Voices: Jack Angel, Scott Menville, Kath Soucie
  • Production Managers: Gerry Shirren, Thad Weinlein
  • Production Supervisors: Russell Boland, Cathy Carr-Goldman, Olga Tarin-Craig
  • Supervising Editor: Dan Molina
  • Storyboard Artists: Don Bluth, Mark Dindal, Dan Kuenster, Ralph Zondag, Dick Zondag
  • Set Research and Design: William H. Frake III
  • Sequence Directors: Dick Zondag, Ralph Zondag
  • Layout Supervisors: Mark Swan, Scott Caple
  • Layout Artists: Eddie Gribbin, Amy Berenz, John Byrne, Kevin Gollaher, Larry Leker, Giorgio Mardegan, Fred Reilly
  • Background Artists: Barry Atkinson, Rick Bentham, Rungsun Apinchapong, David McCamley, Ken Slevin, Mannix Bennett, Carl Jones, Paul M. Kelly
  • Directing Animators: John Pomeroy, Jeffrey V. Varab, Jean Morel, Linda Miller, T. Daniel Hofstedt, Ken Duncan, Lorna Pomeroy-Cook, Jeff Etter
  • Character Animators: John Hill, Ralf Palmer, Anne-Marie Bardwell, John Power, Colm Duggan, Alain Costa, Cathy Jones, Dave Kupczyk, Silvia Hoefnagels, Mark Pudleiner, Gary Perkovac, Doug Bennett, Jon Hooper, Jesper Moller, David G. Simmons, Jean-Jacques Prunes, Piet De Rycker, Chris DeRochie, Kim Hagen-Jensen, Dan Harder, Rob Koo, Donnachada Daly, Steve Martino, Mark Koetsier, Bruce Smith, Dave Brewster, Bud Luckey, Charlie Bonifacio, Paul Bolger, Kris Pearn
  • Special Effects Directing Animators: David Tidgwell, Stephen D. Moore, Joey Mildenberger, Diann Landau, Tom Hush
  • Special Effects Animators: Peter Matheson, Robert B. Cowan, Michel Gagné, Jeff Topping, Garrett Wren, Al Holter, James Mansfield, Peter Yamasaki
  • Director of Computer Animation: Jan Carlée, Mark Swanson
  • Computer Animation: Don Pierce, Greg Maguire
  • Computer Technical Director: Christine Zing Chang
  • Production Continuity Supervisor: Carla Washburn
  • Digital of Special Visual Effects: Fred Craig
  • Dialogue Editors: Thomas V. Moss, Jim Fleming
  • Assistant Film Editors: Fiona Trayler, Lisa Dorney, Joe Gall
  • Assistant Directors: Nuala O'Toole, Moya Mackle
  • Rough Inbetween & Breakdown Administrative Supervisor: Anne C. Murray
  • Supervising Artists: Tom Higgins, Tamara Anderson
  • Character Clean-Up Administrative Supervisor: Olivia O'Mahony
  • Supervising Artists: Paul Kelly, Jan Naylor
  • Character Key Clean-Up Artists: Eileen Conway, Michael Carey, Michael Cassidy, Nollaig Crombie, Peter Donnelly, Sylvia Fitzpatrick, Alan Fleming, Conor Flynn, Kevin Fraser, Bill Giggie, Myung Kang, Helen Lawlor, Margaret McKenna, Neil McNeil, Anne-Marie Mockler, Annette Byrne-Morel, Miriam Reid, Julie Ryan, Paul Shannahan, Kris Van Alphen, Sally Voorheis, Miri Yoon
  • Scene Planning Supervisor: Aran O'Reilly
  • Scene Planners: John Phelan, Gerard Carty, Sean Dempsey, Maureen Buggy
  • Animation Checking Supervisor: Michele McKenna-Mahon
  • Assistant Supervisor: Christine Fluskey
  • Animation Checkers: Pam Kleyman, Helen O'Flynn, Aoife Woodlock, Colum Slevin, Orla Coughlan, Moria Murphy
  • Supervising Color Stylists: Carmen Oliver, Susan VanderHorst
  • Color Stylists: Violet McKenna, Suzanne O'Reilly, Donal Freeney, Laurie Curran
  • Supervising Special Effects Painter: Shirley (Sam) Mapes
  • Final Checking Supervisor: Mary Walsh
  • Assistant Supervisor: Mary Shevlin
  • Final Checkers: Nina Phipps, Melanie Strickland, Martina McCarron, Lucy Melia
  • Production Camera Supervisor: Ciarán Morris
  • Assistant Supervisor: Aidan Farrell
  • Animation Camera Operators: Paddy Duffy, Gary Hall, Fiona Mackle, Jeanette Maher, Freddy McGavin, John O'Flaherty, Eric Ryan
  • Xerography Supervisor: Michael Murray
  • Xerox Checking Supervisor: John Finnegan
  • Paint Lab Supervisor: Deborah Rykoff-Bennett
  • Mark-Up Supervisor: Patricia Browne
  • Inking Supervisor: Jacqueline Hooks
  • Cel Painting Supervisor: Niamh McClean
  • Animation and Storyboard Administrative Assistant Supervisor: Bernie Keogh
  • Additional Character Animators: Richard Bazley, Ben Burgess, Robert Fox, Larry Leker, Fernando Moro, Brian Mitchell, Paul Newberry, Wendy Perdue, Jens Pindal, Tom Roth, Nasos Vakalis, Shane Zalvin
  • Key Assistant Animator: Russell Stoll
  • Assistant Animators: Peter Anderson, Matthew Bates, John Eddings, Sam Fleming, Damian Gilligan, Eddie Goral, Róisín Hunt, Joe McDonough, Kevin O'Neill, Mark Povey, Chris Rutkowski, Randy Sanchez, Natasha Sasic, Melanie Sowell, Todd Waterman, Konrad Winterlich
  • Layout and Background Administrative Assistant Supervisor: Caroline Lynch
  • Blue Sketch Artists: Linda Fitzpatrick, Sheila Kelly
  • Paste Up Artist: Gillian Bogler
  • Rough Breakdown & Inbetween Artists: Jane Anderson, Lesiie Aust, Adrienne Bell, Marie Blanchard, Celine Cahill, Michael Cichuela, David Coogan, David Cribben, Robert D'Arcy, Claudia Dickerson, Cherie Dignam, Joshua Dodson, Joan Doyle, Frank Gabriel, Tim George, Hilary Gough, Pierre Grenier, David Groome, Martin Hanley, Karl Hayes, Paul Houlihan, Sandra Kelly, Janis List, James Lopez, Fiona Lynch, Rosanna Lyons, Paddy Malone, Joseph Manifold, Jr., Andrew Molloy, Laura Nichols, Dermot O'Connor, Kevin O'Hara, Belinda Oldford, John A. Power, Sheryl Sardina, Len Simon, Sharon Smith, Jennifer Marie Stillwell, Richard Vallerand, Roger Vizard, Liz Wassell, Bob Zinter
  • Character Clean-Up Administrative Assistant Supervisor: Jane McLoughlin
  • Character Clean-Up Artists: Fionnuala Ballance, Sheila Brown, Mark Byrne, John Chambers, Mary Connors, Pearse Cullinane, Finula Cunningham, Shana Curley, Eileen Dunn, Ricardo Echevarria, Martin Fagan, Des Forde, Melissa Freeman, Michael Garry, Gerry Goran, Catherine Gurry, Jason Halpin, Sue Houghton, Chan Woo Jung, Linda Kellagher, Edward Klein, Sung Moon Kwon, Lawrence Leichliter, Jonathan Lyons, Maria Malone, Ciara McCabe, James McLoughlin, Tracey Nelson, Judith Niver, Dympna O'Halloran, Gary O'Neill, Tara O'Reilly, Eileen Ridgeway, Julie Ryan, Lucinda Sanderson, Hugh Tattan, Christophe Villez, Oliver Wade, John R. Walsh
  • Special Effects Administrative Assistant Supervisor: Claire Gallagher
  • Additional Special Effects Animators: Joseph Gilland, Brett Hisey, Bruce Heller, Mike Oliva, Kathleen Quaife-Hodge, Janette Owens, Bob Simmons
  • Special Effects Assistant Animators: Martin Finucane, Conánn Fitzpatrick, Natalie Garceau-Turner, Leonard Green, Gillian Hunt-Cunningham, Noel Kiernan, Orla Madden, Brian McSweeney, Rolando Mercado, Debbie Middleton-Kupczyk, Debbie Pugh, Troy Saliba, George Sukara, Conor Thunder, Dan Turner, Declan Walsh
  • Special Effects Inbetweeners: Conor Clancy, Mark Cumberton, Ray Hofstedt, David Lyons, Jonathan Ridge
  • Special Effects Technicians: Michael Casey, Susan Keane
  • Computer Production Coordinator: Kerri Swanson
  • Assistant Animation Film Editors: Gary Keleghan, Annette Stone, Shannon Scudder
  • Apprentice Dialogue Editor: Gerard Phillips
  • Apprentice Camera Operators: Emmet Doyle, Peadar O'Reilly
  • Production Camera Administrative Assistant: Deirdre Rogers
  • Line Test Video Camera Operators: Derek Ried, Julian Chaney, Jackie Corly, Conor Coughlan, Aaron Estrada, Debbie Morgan, Joanne Sugrue
  • Color Stylist Assistants: Melaine Burke, Cathy O'Leary, Ann McCormack
  • Apprentice Color Stylists: Majella Burns, Mary Cuthbert
  • Key Xerography Processors: Anthony O'Brien, Frank D. Richards
  • Xerography Processors: Jackie Anderson, Tommy Brennan, Billy Colgan, Philip Grogan, Joanne McSherry, Keith Murray, John Walsh, Kieron White
  • Xerography Checkers: Gary Downey, Andy Fitzgerald, Brendan Harris, Stuart Johnstone, Michael Maher, Siobhan O'Brien, Paul Roy, Pauline Walsh-Bryne
  • Mark-Up Assistant Supervisor: Maria Farrell
  • Mark-Up: Tom English, Patricia Gordon, Olivia Grogan, David Hogan, Collette O'Brien
  • Inking Assistant Supervisor: Mary Gavin
  • Inking Trainer: Karin Stover
  • Inkers: Sorcha Ni Chuimin, Madeleine Downes, Karen Dwyer, Ailish Mullally, Mary Sheridan
  • Apprentice Inkers: Alan Dalton, Noírin Dunne, Geraldine McGuinness, Hugh Shevlin
  • Paint Lab Assistant Supervisor: Brenda McGuirk
  • Paint Lab Mix and Match: Debbie Gold, Séamus Grogan, Kevin Hand
  • Paint Distribution: Janet O'Carroll
  • Paint Lab Assistants: Alan Boon, Peter Green, Eric Stover, Michelle Codd
  • Cel Painting Assistant Supervisor: Brid Ni Dhónaill
  • Cel Painting Trainer: Kate Meredith-Delany
  • Cel Painters: Linda Bell, Sharon Blake, Mary Boylan, Sandra Breslin, Mark Byrne, Louise Cleary, Michael Carroll, Yvonne Carthy, Vin Clarke, Eimear Clonan, Kevin Condron, David Corbally, Gloria Dunne, Greg Fulton, Fiona Ginnell, Liam Hannan, Aidan Heffernan, Karen Hennessy, Pamela Hill, Liam Hoban, Fiona Hogan, Berenice Keegan, Carl Keenan, Brian Kelly, Pearse Love, Ann May, Caroline McCann, Shane McCormack, Henry McGrane, Colin McGrath, Ian McLoughlin, Yvonne McSweeney, Majella Milne, Lyn Mulvaney, Mary B. Mulvihill, Dympna Murray, Catherine O'Connor-Dillon, Hughie O'Connor, Philip O'Connor, Barry O'Shea, Terry O'Toole, Antoinette Rafter, Carlyn Rumgay, June Scannell, Cormac Slevin, Lydia Smails, Carol Anne Thornbury, Eilish Whelan, Gavin Wildes
  • Assistant Special Effects Painter: Iseult Travers
  • Apprentice Special Effects Painter: Petula Masterson-O'Reilly
  • Final Check Administrative Assistant: Gabrielle O'Regan
  • Final Check Librarian: Anne-Marie Daly
  • Paint Checkers: Gerard Coleman, Nicholas Connolly, Sinead Murray
  • Cel Service: Debbie Curtis, Anna Fitzgerald, Brian Forsyth, Joe Haugh, Helen McMahon, Susan O'Loughlin, Anita Ryan
  • Production Assistants: Edel MacGinty, Sharon Morgan, Jonathan Martin, Linda O'Carroll, Tara Sheridan
  • B/W Film Laboratory Supervisor & Optical Technician: Caroline Gaynor
  • Supervising Systems Engineer: Karl Bredendieck
  • Engineering: Liam Halpin, Neil J. Keaveney
  • "Goldie" Live Action Reference Models: Angeline Ball, Cami Pomeroy
  • The Actors
  • (in Alphabetical Order):
    • Sorrell Booke - Pinky
    • Glen Campbell - Chanticleer
    • Eddie Deezen - Snipes
    • Sandy Duncan - Peepers
    • Toby Scott Ganger - Edmond
    • Ellen Greene - Goldie
    • Phil Harris - Patou/Narrator
    • Christian Hoff -Scott
    • Kathryn Holcomb - Mother
    • Stan Ivar - Dad
    • Jason Marin - Mark
    • Charles Nelson-Reilly - Hunch
    • Christopher Plummer - The Duke
    • Will Ryan - Stuey
  • Additional Voices:
    • Dee Wallace - Mother
    • Louise Chamis - Minnie Rabbit
    • Bob Galaco - Radio Announcer
    • Jake Steinfeld - Farmyard Bully & Max The Bouncer
  • Also: The Don Bluth Players
  • Dialogue Engineers: Jackson Schwartz, Warren Kleiman
  • Original Songs Written and Produced by: T.J. Kuenster
    • "Sun Do Shine"
      • Sung by: Glen Campbell
      • Backing Vocals: The Jordanaires
    • "We Hate The Sun"
      • Sung by: Christopher Plummer
      • Backing Vocals: T.J. Kuenster, Jim Doherty, John Drummond, Frank Kelly
    • "Come Back To You"
      • Sung by: Glen Campbell
      • Backing Vocals: The Jordanaires
    • "Bouncers' Theme Song"
      • Sung by: The Don Bluth Players
    • "Tweedle Te Dee"
      • Sung by: Christopher Plummer
      • Backing Vocals: The Don Bluth Players
    • "Treasure Hunting Fever"
      • Sung by: Glen Campbell
      • Backing Vocals: The Jordanaires
    • "Sink Or Swin"
      • Sung by: Ellen Greene
    • "Kiss 'N Coo"
      • Sung by: Glen Campbell, Ellen Greene
      • Backing Vocals: The Jordanaires
    • "Back To The Country"
      • Sung by: Glen Campbell
    • "The Owls Picnic"
      • Sung by: Christopher Plummer
      • Backing Vocals: The Don Bluth Players
    • "Tyin' Your Shoes"
      • Sung by: Phil Harris
      • Backing Vocals: The Jordanaires
      • Glen Campbell's Performance Courtesy of: Capitol Nashville, A Division of Capitol-EMI Music, Inc.
  • Songs Backed by: Nashville Rhythm Section
  • Featured Musicians: Piano/Keyboards · T.J. Kuenster, Guitar · Glen Campbell, Guitar · Billy Joey Walker, Bass Guitar · Larry Popton, Banjo · Carl Jackson, Drums · Steve Turner
  • Featured Vocalists: Glen Campbell, Toby Scott Ganger, Ellen Greene, Phil Harris, Christopher Plummer, Charles Nelson Reilly
  • Backup Singers: Scott Caple, Jim Doherty, John Drummond, T. Daniel Hofstedt, Frank Kelly, T.J. Kuenster, Louis Dean Nunley, Gordon Stoker, Mark Swan
  • Musicians: Oboe Soloist · Tom Boyd, Instrumental · George Doering, Tuba · Tommy Johnson & Jim Self, Piano · Bryan Pezzone, · Percussion · Steve Schaeffer, French Horn · James Thatcher
  • Musical Score Performed by: Irish Film Orchestras
  • Orchestra Manager: Bill Whelan
  • Arrangers: Robert Folk, Randy Miller
  • Music Librarian: Mark Graham
  • Music Copyists: Vic Frazer, Marni Sanders
  • Music Recordist: Brian Masterson
  • Assistant Recordist: Mary Kettle
  • Music Contractor: Sandy DeCrescent
  • Music Preparation: Jo Ann Kane, Steven L. Smith

Live Action Segments[]

    • Produced by: Robert Enrietto
    • Co-Directors: Beau Van Den Ecker, Victor French
    • Associate Producer: Fred Craig
    • Director of Photography: Robert Paynter, B.S.C.
    • Film Editor: Bernard Caputo
    • Art Director: Terry Pritchard
    • Visual Effects Supervisors: Roy Field, B.S.C., Peter Donen
    • Special Effects Supervisors: David Harris, Morris Foley
    • Choreographer: Susan Inouye
    • Stunt Coordinator: Beau Van Den Ecker
    • Casting: Ruben Cannon & Associates, Eileen Knight, C.S.A., Monica Swann, C.S.A.
    • Production Manager: David Murphy
    • 1st Assistant Director: Martin O'Malley
    • 2nd Assistant Director: Konrad Jay
    • 3rd Assistant Director: Brendan Geraghty
    • Production Accountant: Donal Geraghty
    • Production Coordinator: Lorraine Stierle
    • Script Supervisor: Laerke Pedersen
    • Camera Operator: Freddie Cooper
    • Focus Pullers: Shane O'Neill, Ken Byrne
    • Clapper Loaders: Ivan Meagher, Brendan Galvin
    • Trainee Clapper Loader: Brendan Dempsey
    • Camera Technicians: John Higgins, David Palmer, Kevin Green
    • Photographic Consultant: Jack Conroy
    • Stills Photographer: Tom Collins
    • Key Grip: Luke Quigley
    • Gaffer: Louis Conroy
    • Best Boy: Jim Farrell
    • Electricians: Con Dempsey, Bill Lewis, Noel Cullen, Sean Creagh, Peter O'Toole
    • Sound Mixer: Pat Hayes
    • Boom Operator: Jim Corcoran
    • Video Assist Technician: Brendan Flannagan
    • Assistant Art Directors: Conor Devlin, Mark Geraghty
    • Set Dresser: Bryony Foster
    • Construction Manager: Tommy Bassett
    • Property Buyers: Ronnie Skinner, Greg Garrison
    • Chief Make-up Artist: Rosie Blackmore
    • Chief Hairdresser: Anne Dunne
    • Wardrobe Mistress: Maeve Paterson
    • Assistant Wardrobe: Ann Stokes
    • Senior Special Fx Technician: Ron Hone
    • Special Fx Technician: Peter Skehan
    • Assistant Special Fx Technicians: Michael Doyle, Simon Willis, Brendan Walsh, Vincent Corcoran, Gerard Drennan, Christy Drennan, John Purdy, Colm Maguire
    • Special Fx Modellers: Chrissie Overs, Carol DeJong
    • Cloud Tank Effects: Daryl Carstensen, Mannix Bennett
    • Assistant Blue Screen Photography: Peter Field
    • Electrician Blue Screen Photography: Lee Winter
    • 1st Assistant Film Editor: Adrienne Ross
    • Trainee Assistant Film Editor: Thresa Smith
    • Transportation Captain: Gerry Fearon
    • Unit Drivers: Matt Kelly, Pat Egan, Jimmy Smith, Liam O'Loughlin, Peter Massey, Willie Kelly
    • Construction Driver: Tom Brodie
    • Property Master: Cos Egan
    • Standby Props: June Carroll
    • Dressing Props: Kevin Hudson, Daragh Lewis, Peter Gallagher
    • Supervising Drapes: James Kavanagh
    • Supervising Carpenter: Tommy Bassett
    • Standby Carpenter: John Lamon
    • Carpenters: Eddie Humphries, Barry Cunningham
    • Plasterer: Paddy Kearney
    • Standby Plasterer: Larry Comerford
    • Supervising Painter: Bobby Scott
    • Standby Painter: Paul Fleming
    • Painters: George Joyce, David Rath
    • Supervising Rigger: Pascal Jones
    • Standby Rigger: Paddy Corcoran
    • Riggers: Neil Crawford, Michael O'Toole, James Merrigan, Eamonn Kelly, William O'Brien, John Keogh, John Fitzgerald
    • Standby Stagehand: Gerry Quigley
    • Stagehands: James Lowe, Paddy Shortt, Paddy O'Toole
    • Unit Doctor: Dr. Rónán Ó'Cuilleanáin
    • Unit Nurse: Eileen Conroy
    • Finance Consultant: Kevin Moriarty
    • Teachers: Richard Feldman, Tess Moriarty
    • Stand-Ins: Graham Walkinson, Karen Winston, Daragh Bolton, Jason Bolton, Conor Fitzgerald, Ciaran Dempsey
    • Trainee Assistant Directors: Brendan Geraghty, Katriona Ryan, John A. Phelan
    • Trainee Script Supervisor: Deirdre Cosgrove
    • Shooting Script Preparation: Deborah Hofstedt, Lorraine Stierle
    • Trainee Accountant: David Byrne
    • Craft Services: Gwen Brennan
    • Production Runner: Mary Dunne
    • Live Action Camera Equipment: Joe Dunton Cameras, Ireland Ltd., Ardmore Studios, Ireland
    • VistaVision Camera Equipment: Moores & Griffin Ltd., Shepperton Studios, England
    • Blue Screen and Lighting: Effects Associates Ltd., Pinewood Studios, England
    • Lighting and Electrical Equipment: Cine Electric Ltd., Ardmore Studios, Ireland
    • Mechnical Effects Facilities: Film Engineering Services, Ardmore Studios, Ireland
    • Rigging: D.H.B. Scaffolding 1987, Ardmore Studios, Ireland
    • Sound Transfers: Transfer Bay, Dublin, Ireland
    • Catering: Location Catering Services Ltd., Ardmore Studios, Ireland
    • Live Action Payroll: Oliver J. Freaney & Co., Dublin, Ireland
    • Photographed at: Ardmore Studios, Bray, County Wicklow, Republic or Ireland
    • Studio Managing Director: Morgan O'Sullivan
    • Operations Manager: Helen Mangan
    • Apogee Productions, Inc., Optical Effects Unit (U.S.)
    • Executive Producer: Robert Shepherd
    • Project Producer: Denny Kelly
    • Optical Supervisor: R. William Dorney
    • Optical Co-Supervisor/Camera: Cosmas Paul Bolger Jr.
    • Optical Camera: Jerry Pooler
    • Optical Line-Up: Jim Seltenreich, Nick Linardos
    • Cine Engineer: Don Trumbull
    • Apogee Lab Processing: Alan Spilkoman
    • Optical Color Film Processing: CFI, Hollywood, CA.
    • Optical Film Effects Ltd., Optical Effects Unit (U.K.)
    • Senior Optical Painter: Dick Dimbleby
    • Optical Painter: Philip Dimbleby
    • Rotoscope Artist: Simon Leech
    • Rostrum Camera Supervisor: Tim Field
    • Assistant Rostrum Cameraman: Paul Thompson
    • Peerles Camera Co. Ltd., Additional Optical Effects (U.K.)
    • Optical Painter: Nick Dunlop
    • Fotherley Ltd., Additional Optical Effects (U.K.)
    • Optical Painter: Stuart Galloway

Post Production[]

    • Music Editors: Michael Connell, Douglas Lackey, Charles Paley
    • Assistant Music Editor: Thomas V. Moss
    • ADR Editors: John K. Carr, Dennis Dutton, Sue Odjakjian
    • Sound Editors: Dennis Dutton, Alan Schultz
    • Assistant Sound Editors: Sue Odjakjian, Andy Stears, Michael Trent
    • Additional Sound Design: Ed Bannon
    • Foley Editors: PAUL HESLIN, WILLY ALLEN
    • Foley by: TAJ Soundworks
    • Foley Artists: John Roesch, Ellen Heuer
    • Foley Mixer: Greg Orloff
    • Foley Recordist: Carolyn Tapp
    • Re-Recording Mixers: Bill Rowe, Ray Merrin, John Falcini
    • Post Production Coordinator: Helene Blitz
    • Color Timer: John Stanborough
    • Negative Cutter: Colin Ives

Sullivan Bluth Studios[]

    • General Managers: Frank McCourt (IRE), Tom Jacobsmeyer (USA)
    • Studio Executives: Richard M. Harvey (USA), Andrew Fitzpatrick (IRE), George Carrick (USA)
    • Legal Executive: Mary Noonan
    • International Recruitment: Nora Farrell
    • Assistant: Karen Gormley
    • Human Resources Manager: Bob Howell
    • Assistant: Lynne McSherry
    • Personnel Officer: Annabelle Conway
    • Assistant: Róisín Ryder
    • Security & International Personnel: Edward Oliver
    • Personnel Assistants: Gráinne Shankey, Yvonne Costello, Margaret Hehir
    • Receptionist: Thérèse Rofé
    • Financial Accountant: Owen Binchy
    • Financial Accounts Assistant: Margaret Connell
    • Production Accountants: Rachel Leighton-Weinlein, Lynda Diaz
    • Payroll Master: Bernadette Dowling
    • Supervisor of DP Services: Fiona Keating
    • Data Controller: Paula Murphy
    • Production Accounting Assistants: Anna Burbridge, Marie McGrath, Antoinette Kinsella
    • International Payroll: Pixpay Inc., L.A., CA.
    • Purchasing Officer: Aileesh Mulligan
    • Purchasing Assistant: Janet Morgan
    • Marketing Worldwide: Pamela Godfrey
    • Publicity Worldwide: Gloria Palter
    • Publicity Europe: Veronica Carroll
    • Publicity Assistant: Siobhán Rock
    • Assistants to Don Bluth: Suzanne Murray, Martin Coffey
    • Assistant to Gary Goldman: Fiona Byrne
    • Assistant to John Pomeroy: Carol Raikes
    • Assistants to Morris Sullivan: Fionnuala Carpendale (IRE), Candace Howerton (USA)
    • Assistant to George Carrick: Caralyn Warren
    • Assistant to Frank McCourt: Helen Kilbride-Connolly
    • Production Secretary: Romaine Byrne-Thompson
    • Legal Assistant: Vanessa Dowling
    • Assistants to Fred Craig: Ann Costello, Rachel Whyte
    • Administrative Assistant: Sheri Sedlik
    • Production Assistants: Dan Levin, Robert Sidis, Tara Sheridan, Frank Suarez, Linda O'Carroll, Jonathan Martin, Sharon Morgan
    • Studio Librarian: Mark Hayes
    • Assistants: Jane Clavin, Diarmuid Stokes
    • Transportation: Steve Kellener, Ashini Shah, Kevin Killebrew, Peter Morgan, Patrick Stapleton, Frank Suarez
    • Storeman: Damian Murphy
    • Facilities Manager: John Henry
    • Facilities Operative: Wayne Farrar
    • Facilities Assistant: Gerard O'Keeffe
    • Studio Technician: Paul Pickhard
    • Studio Craft Services: Angela Mullen
  • The producers wish to thank the Sullivan Bluth Studios staff for their unselfish contribution to the completion of this film in areas other than those credited above, many thanks...Mile Buiochas.
  • On Behalf of: Goldcrest, John Quested, Frederick Fisher, Stephen Johnston, Therriy Wase Bailey, Tony Murphy, Richard Hellman, Martin Cahill, Jo Deakin, Patty Tapanes, Peter Gibson, Selena Tan, Meave Hurley, Freda Winterburn, Hilary Davies, Debbie Kerry, Ivy Garratt, Angela Walsh, Gavin Braxton, Joe Digby, Harriet Dand, Louise Seymour, Charles Bataille, Reg Hall
  • With Special Thanks To: Legal Services, Jaques & Lewis, International Public Relations, Dennis Davison Associates
  • Computer Animation System: Wavefront Technologies, Silicon Graphics, T.D.I. Explore, Softimage Iinc., Apple MacIntosh
  • Camera Stand Engineering: Mechanical Concepts, Inc.
  • Camera Motion Control: Cinetron Computer Systems, Inc.
  • Cel Painting Coordinator: Phillipine Pacific Rim Animation Inc.
  • Paint Suppliers: Chromacolor, Art Color Products, Cartoon Color Company, Inc.
  • Studio Facilites: Sullivan Bluth Studios Ireland Limited, Dublin, Ireland
  • Sullivan Bluth Animation Studios, Burbank, California
  • Songs Recorded at: The Music Mill, Nashville, Tennessee
  • 1st Engineer: Jim Cotten
  • 2nd Engineer: Paul Goldberg
  • Ropewalk Studios, Ringsend, Dublin, Ireland
  • Engineers: Eoghan McCarron, Louise McCormick
  • Devonshire Audio. Los Angeles, California
  • Engineer: Larry Goodwin
  • Sound Recording Facilities: B & B Sound Studios, Burbank, CA, TAJ Soundworks, L.A., CA., Rca Recording Studios, New York, New York, Windmill Lane Recording Studios, Dublin, Ireland, 3rd Street Sound, L.A., CA., West Productions, L.A., CA.,
  • Re-Recording Facilities: Goldcrest Elstree Studios, Borehamwood, England
  • Music Score Recorded at: Ringsend Road Recording Studios, Dublin, Ireland
  • Optical Effects: Apogee Productions, Inc., Van Nnuys, California, Optical Film Effects Limited. Bucks, England, Sullivan Bluth Studios Ireland Limited, Dublin, Ireland
  • Title Graphics: Sullivan Bluth Studios Ireland Ltd.
  • Title Composite: Optical Film Effects, Bucks, England
  • Live Action Segments Filmed by: Moviecam
  • Exclusive Clip and Still Licensing: Visual Icon
  • Special Thanks to The Industrial Development Authority of Ireland
  • No. 30784 Motion Picture Association of America
  • Dolby Stereo® In Selected Theatres
  • Originated on Eastman Film From Kodak
  • Color by Technicolor®
  • The story, or names, characters and incidents portrayed in this production are fictitious. No identification with actual persons is intended or should be inferred.
  • This motion picture photoplay and soundtrack are protected pursuant to the provisions of the laws of the United States of America and other countries. Any unauthorized duplication and/or distribution of the photoplay and/or soundtrack may result in civil liability and criminal prosecution.
  • Copyright © MCMXC/MCMXCI Goldcrest Animation Limted · All Rights Reserved

Closing Logos[]

  • Produced by Sullivan Bluth Studios Ireland Ltd.
  • Goldcrest
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