This Is Spinal Tap (stylized as This Is Spın̈al Tap) is a 1984 American mockumentary directed and co-written by Rob Reiner. It stars Christopher Guest, Michael McKean, and Harry Shearer as members of the fictional British heavy metal band Spinal Tap, and Reiner as Marty Di Bergi, a documentary filmmaker following the band on their US tour.
The film satirizes the behavior and musical pretensions of rock bands and the hagiographic tendencies of rock documentaries such as Gimme Shelter (1970), The Song Remains the Same (1976) and The Last Waltz (1978). Most of the dialogue was improvised and dozens of hours were filmed.
This is Spinal Tap received positive reviews. It was only a modest success upon its initial release but found greater success, and a cult following, after it was released on VHS. In 2002, it was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and was selected for preservation by the United States National Film Registry.
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the entire movie.
Filmmaker Marty Di Bergi follows the British rock group Spinal Tap on their 1982 United States concert tour to promote their new album Smell the Glove. The band comprises childhood friends David St. Hubbins and Nigel Tufnel on vocals and guitar, bassist Derek Smalls, keyboardist Viv Savage, and drummer Mick Shrimpton.
The band found early success as the Thamesmen with their single "Gimme Some Money", before changing their name and achieving a minor hit with the flower power anthem "Listen to the Flower People", and finally transitioning to heavy metal. Several of their previous drummers died in strange circumstances: spontaneous human combustion, a "bizarre gardening accident", and choking on someone else's vomit.
Tufnel's amplifier dials that go up to eleven; this scene became the origin of the term up to eleven. Several of the band's shows are canceled because of low ticket sales, and major retailers refuse to sell Smell the Glove because of its sexist cover art. Tensions arise between the band and their manager Ian Faith. David's girlfriend Jeanine, a manipulative yoga and astrology devotee, joins the group on tour and participates in band meetings, influencing their costumes and stage presentation. The band's distributor opts to release Smell the Glove with an entirely black cover without consulting the band. Despite their manager convincing the band that it would have a similar appeal to the White Album, the album fails to draw crowds to autograph sessions with the band.
Nigel suggests staging a lavish show, and asks Ian to order a Stonehenge megalith. However, Tufnel, rushing a sketch on a napkin, mislabels its dimensions; the resulting prop is only 18 inches high, making the group a laughingstock. The group blames Ian, and when David suggests Jeanine should co-manage the group, Ian quits.
The tour continues, rescheduled into smaller and smaller venues. Nigel is marginalized by Jeanine and David. At their next gig, at a United States Air Force base, Nigel is upset by an equipment malfunction and quits mid-performance. At their next gig, in an amphitheater at an amusement park, the band finds their repertoire is severely limited without Nigel, and improvise an experimental "Jazz Odyssey", which is poorly received.
At the last show of the tour, David and Derek consider exploring old side projects, such as a musical theatre production about Jack the Ripper. Before they go on stage, Nigel appears to tell them that their song "Sex Farm" has become a major hit in Japan, and that Ian wants to arrange a tour there. As the band performs, David invites Nigel onstage, reuniting them. With Faith reinstalled as manager, Spinal Tap performs a series of sold-out shows in Japan, despite the loss of drummer Mick, who explodes onstage.
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- Michael McKean as David St. Hubbins
- Christopher Guest as Nigel Tufnel
- Harry Shearer as Derek Smalls
- Rob Reiner as Marty Di Bergi
- Tony Hendra as Ian Faith
- R.J. Parnell, (drummer for Atomic Rooster), as Mick Shrimpton
- David Kaff as Viv Savage
- June Chadwick as Jeanine Pettibone
- Bruno Kirby as limo driver Tommy Pischedda
- Ed Begley Jr. as John "Stumpy" Pepys
- Danny Kortchmar as Ronnie Pudding
- Fran Drescher as Bobbi Flekman
- Patrick Macnee as Sir Denis Eton-Hogg
- Julie Payne as mime waitress
- Dana Carvey as mime waiter
- Sandy Helberg as Angelo DiMentibelio
- Zane Buzby as Rolling Stone reporter
- Billy Crystal as Morty the Mime
- Paul Benedict as Tucker "Smitty" Brown
- Howard Hesseman as Terry Ladd (Duke Fame's Manager)
- Paul Shortino as Duke Fame
- Lara Cody as Duke Fame's groupie
- Andrew J. Lederer as student promoter
- Russ Kunkel as doomed drummer Eric "Stumpy Joe" Childs
- Victory Tischler-Blue as Cindy
- Joyce Hyser as Belinda
- Gloria Gifford as the airport security officer with the security wand
- Paul Shaffer as incompetent promoter Artie Fufkin (Polymer Records)
- Archie Hahn as the room service guy
- Charles Levin as Disc 'n' Dat manager
- Anjelica Huston as Polly Deutsch
- Donald Kendrick as Background Vocalist
- Fred Willard as Air Force Lt. Bob Hookstratten
- Wonderful Smith as Backstage Maintenance Worker
- Robert Bauer as Moke, Spinal Tap's roadie
Michael McKean and Christopher Guest met while in college in New York City in the late 1960s, and played music together. They worked with Harry Shearer and Rob Reiner on a TV pilot in 1978 for a sketch comedy show called The TV Show, which featured a parody rock band called Spinal Tap. During production of that sketch (while being burned with oil from on-stage effect) McKean and Guest began to improvise, inventing characters that became David St. Hubbins and Nigel Tufnel.
Guest had previously played guitar under the name "Nigel Tufnel" on Michael McKean and David Lander's album Lenny and the Squigtones.
The entire film was shot in Los Angeles County, over a period of about five weeks. The visit to Elvis Presley's grave was filmed in a park in Altadena, with a mock-up of the grave site. The band sings "Heartbreak Hotel" because that was the only Elvis song for which producer Karen Murphy could obtain rights.
Rob Reiner procured $60,000 from Marble Arch Productions to write a screenplay with McKean, Guest and Shearer, based on the Spinal Tap characters. They realized after a few days of writing that no script could capture the kind of movie they wanted to make, so they decided instead to shoot a short demo of the proposed film. They shopped the demo around to various studios but had no takers, until television writer-producer Norman Lear decided to back the project.
Virtually all dialogue in the film is improvised. Actors were given outlines indicating where scenes would begin and end and character information necessary to avoid contradictions, but everything else came from the actors. As often as possible, the first take was used in the film, to capture natural reactions. Reiner wanted to list the entire cast as writers on the film to acknowledge their contributions, but the Writers' Guild objected, and so only he, Guest, McKean, and Shearer received writing credit.
Veteran documentary cameraman Peter Smokler worked as cinematographer on the film. Smokler had great instincts for camera placement on set, according to Reiner, and is responsible for the film's handheld cinéma vérité style—although the cinematographer did not understand what was supposed to be funny about the movie. With Smokler behind the camera, the film was shot not as a feature film, but as a documentary, without a script or traditional shooting schedule. So much footage was filmed (over 100 hours) that it eventually required three editors to complete the film.
Inspirations for the film included the documentaries Don't Look Back (1967), which was made about Bob Dylan, and The Last Waltz (1978), which was about The Band. The famous scene where Spinal Tap becomes lost backstage was inspired by a video of Tom Petty at a concert in Germany, who walked through a series of doors trying to find the stage at a gig, but ended up on an indoor tennis court. Rob Reiner also went to see the English heavy metal band Judas Priest in concert as part of his preparation for the film. He later said, "It physically hurt my chest. The reverberation in the hall was so strong that I couldn’t stay there any longer." According to Harry Shearer in the Criterion edition DVD commentary, keyboard player John Sinclair had just returned from touring with Uriah Heep when principal photography was about to begin, and told them how they had been booked to play an air force base. They subsequently used the story in the film.
In post-production, Christopher Guest was very concerned with the verisimilitude of the finger positions on the band's instruments during the concert scenes, and even re-shot some footage after the movie was edited to ensure their hands appeared in sync with the music.
The character of Jeanine, David's disruptive girlfriend, was added during the production to provide a story-line to the material—in part to mollify studio executives who worried the movie would be plotless. Actress Victoria Tennant was briefly considered for the role, but June Chadwick won the part, thanks to her chemistry with the cast and her improvisation skills.
Since its release, This Is Spinal Tap has received acclaim from critics and is widely regarded as one of the best films of 1984. Roger Ebert of the Chicago Sun-Times gave the film 4 stars out of 4 and wrote "This Is Spinal Tap is one of the funniest, most intelligent, most original films of the year. The satire has a deft, wicked touch. Spinal Tap is not that much worse than, not that much different from, some successful rock bands." Ebert later placed the film on his ten best list of 1984 and would later include it in his Great Movies list in 2001 where he called it "one of the funniest movies ever made". Gene Siskel of the Chicago Tribune also awarded 4 out of 4 stars, writing, "It is so well done, in fact, that unless you are clued in beforehand, it might take you a while to realize that the rock group under dissection in 'This Is Spinal Tap' does not really exist." Janet Maslin of The New York Times praised it as "a witty, mischievous satire, and it's obviously a labor of love." The film currently holds a 95% "Certified Fresh" rating on the review aggregate website Rotten Tomatoes, with its critical consensus being "Smartly directed, brilliantly acted, and packed with endlessly quotable moments, This Is Spinal Tap is an all-time comedy classic." In 2002, This Is Spinal Tap was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and was selected for preservation in the United States National Film Registry.
Critics praised the film not only for its satire of the rollercoaster lifestyles of rock stars but also for its take on the non-fiction film genre. David Ansen from Newsweek called the film "a satire of the documentary form itself, complete with perfectly faded clips from old TV shows of the band in its mod and flower-child incarnations".
Even with cameos from Billy Crystal and Patrick Macnee, Spinal Tap still managed to trick many of its moviegoers into believing the band existed. Reiner observed that "when Spinal Tap initially came out, everybody thought it was a real band... the reason it did go over everybody's head was that it was very close to home".
Reactions from musiciansEdit
The movie resonated with many musicians. Jimmy Page, Robert Plant, Jerry Cantrell, Dee Snider and Ozzy Osbourne all reported that, like Spinal Tap, they had become lost in confusing arena backstage hallways trying to make their way to the stage. When Dokken's George Lynch saw the movie he is said to have exclaimed, "That's us! How'd they make a movie about us?" Glenn Danzig had a similar reaction when comparing Spinal Tap to his former band The Misfits saying, "When I first saw Spinal Tap, I was like, 'Hey, this is my old band.'"
Lars Ulrich told a press conference crowd that the Metallica/Guns N' Roses 1992 tour seemed "so Spinal Tap." This tour was in support of Metallica's own "black album". Shortly after the tour started, Metallica's James Hetfield suffered third degree burns on his arms after he stood too close to a pyrotechnic device. Earlier in that tour, backstage at The Freddie Mercury Tribute Concert, Metallica met with Spinal Tap and discussed how their "black album" was a homage to Spinal Tap's Smell the Glove. This was captured on the Metallica DVD A Year and a Half in the Life of Metallica.
In a 1992 interview, Nirvana explains declining the offer to be a part of the movie Singles. Kurt Cobain goes on to say, "There's never really been a good documentary on rock and roll bands." Dave Grohl then cuts in saying, "Except for Spinal Tap, [that] was the only rock movie worth watching," which Cobain agreed with, as well as mentioning Don't Look Back, by D.A. Pennebaker.
According to a 1997 interview in Spin magazine with Aerosmith rhythm guitarist Brad Whitford, "The first time Steven [Tyler] saw it he didn't see any humor in it." When the movie was released, Aerosmith's most recent album, Rock in a Hard Place, depicted Stonehenge prominently on the cover.
U2 guitarist The Edge said in the documentary It Might Get Loud that when he first saw Spinal Tap, "I didn't laugh, I wept," because it summed up what a brainless swamp big-label rock music had become.
Use of Spinal Tap as a descriptive termEdit
It became a common insult for a pretentious band to be told they were funnier than Spinal Tap. As George Lynch put it, the more seriously a band took themselves, the more they resembled Spinal Tap. After seeing a 1986 performance by metal band Venom, singer Henry Rollins compared them to Spinal Tap. In their respective Behind the Music episodes, Quiet Riot's Rudy Sarzo and Ratt's Robbin Crosby compared their own bands to Spinal Tap to some extent. For example, as a parallel to the "Shit Sandwich" incident, Quiet Riot's fourth album Condition Critical was given the two-word review of "Condition Terminal" by J. D. Considine in Musician magazine. His review of the short-lived band GTR's eponymous debut LP in the same magazine was "SHT". R.E.M.'s Mike Mills described the band's early tours as "very Spinal Tap", citing, among other things, the fact that they had indeed played at a United States Air Force base.
Judas Priest, the heavy metal band that Rob Reiner saw in preparation for the film, has had many drummers in its career (eight in total), which the website Ultimate Classic Rock described as "positively Spinal Tap-worthy". Marillion guitarist Steve Rothery later described the run of five drummers in a year between his band's first two albums as "like Spinal Tap". In the Pearl Jam documentary Pearl Jam Twenty, the members jokingly refer to the fact that while the core lineup of the group has remained unchanged (singer Eddie Vedder, guitarists Mike McCready and Stone Gossard, and bassist Jeff Ament), the band has had five drummers. They describe this as "very Spinal Tap of us". In the documentary, a mock silent film called The Drummer Story is shown explaining what happened to their previous drummers. In it, one of them is almost eaten by a sea monster, only to be rescued by Eddie Vedder, playing a lifeguard.
The Canadian heavy metal band Anvil, whose drummer is named Robb Reiner, have been called "the real Spinal Tap" based on the misadventures depicted in their documentary Anvil! The Story of Anvil.
In 2008, Empire magazine ranked This Is Spinal Tap number 48 on its list of The 500 Greatest Movies of All Time. The New York Times placed the film on their list of The Best 1000 Movies Ever Made. In January 2010, Total Film placed This Is Spinal Tap on its list of The 100 Greatest Movies of All Time. When Entertainment Weekly compiled their list of The 100 Greatest Movies of All Time, the publication included the film as "just too beloved to ignore". In 2011, Time Out London named it the best comedy film of all time.
The film is recognized by American Film Institute in this list:
- 2000: AFI's 100 Years...100 Laughs – #29
On October 17, 2016, actor Harry Shearer filed a $125 million lawsuit against both StudioCanal, the successor in interest to Embassy Pictures, and Vivendi, which owns the studio. Shearer's lawsuit was specifically directed at StudioCanal by ordering the studio to terminate the copyright to This Is Spinal Tap. In February 2017, Shearer's co-stars Christopher Guest] and Michael McKean, as well as the film's director Rob Reiner, joined the lawsuit against StudioCanal and Vivendi, seeking $400 million in damages. In the same month, Vivendi made an attempt to motion to the court to dismiss the case. In September 2017, a judge dismissed Shearer, Reiner and McKean from the case. In October 2017, Spinal Tap revised their case by adding Universal Music Group (another division of Vivendi, whose Polydor label released the film's soundtrack) as a defendant, as well as the right to reclaim their copyrights to the film, its songs and characters.
In August 2018, Judge Dolly Gee ruled that Guest, Reiner, McKean and Shearer may pursue the fraud claim against Vivendi.
This Is Spinal Tap was first released on VHS in 1984 by Embassy Home Entertainment, and in 1994 as part of the Criterion Collection on LaserDisc under the title, This Is Spinal Tap: Special Edition. It has also been released twice on DVD.
The first DVD release was a 1998 Criterion edition in letterbox format which used supplemental material from the 1994 Criterion LaserDisc release. It is their only double sided DVD in their catalogue. It included an audio commentary track with Christopher Guest, Michael McKean and Harry Shearer; a second audio commentary track with Rob Reiner, Karen Murphy, Robert Leighton and Kent Beyda; 79 minutes of deleted scenes; Spinal Tap: The Final Tour, the original twenty-minute short they shot to pitch the film; two trailers that feature Rob Reiner showing a film about cheese rolling (because "Spinal Tap" itself was still in the editing room); a TV promo, Heavy Metal Memories; and a music video for "Hell Hole". Sales of this edition were discontinued after only two years and the DVD has become a valuable collector's item. Much of this material had appeared on a 1994 CD-ROM by The Voyager Company that included the entire film in QuickTime format.
In 2000, MGM Home Entertainment released a special edition with more or less the same extras from the Criterion edition, plus a new audio commentary track with Guest, McKean and Shearer performing in character throughout, commenting on the film entirely in their fictional alter-egos, and often disapproving of how the film presents them; 70 minutes of deleted scenes (some of which were not on the Criterion DVD); a new short, Catching Up with Marty Di Bergi (where it is revealed that the members of Spinal Tap were very disappointed in Di Bergi for making a "hatchet job" of their film); the Heavy Metal Memories promo and six additional TV promos; music videos for "Gimme Some Money", "Listen to the Flower People" and "Big Bottom"; and segments of Spinal Tap appearing on The Joe Franklin Show. The special features were produced by Automat Pictures. However, this version of the film was missing the subtitles that appear throughout the film (for example, introducing band members, other personnel, and location names) and did not include the commentaries from the Criterion edition. The MGM DVD is missing the subtitles burned into the film; they have been replaced with player generated subtitles.
A 25th Anniversary Edition Blu-ray Disc release was released on July 28, 2009. It includes all bonus features from the MGM DVD plus an interview with Nigel about Stonehenge and Stonehenge from the band's Live Earth performance. It does not include the commentaries from the Criterion Collection DVD, even though MGM had stated that they would be included in the earliest press release for the Blu-ray version (most likely due to legal issues), and does not feature a "create your own avatars" element teased in publicity. However, this version does restore the subtitles that introduce band members/locales/events/etc. that were missing from MGM's DVD. The alternative, Region B, UK edition of this version additionally features a new hour-long documentary featuring famous fans, the "Bitch School" promo, the EPK for the "Back From The Dead" album, an interview with the late Reg Presley discussing the influence of the Troggs tapes on the film, and the first hour (ending with an abrupt edit) of The Return Of Spinal Tap. It does however lose the Di Bergi short and the Joe Franklin clip.